Poetry

Paul Kane reviews 'Collected Poems' by Mark Strand

Paul Kane
Monday, 02 March 2015

It is tempting to say that when Mark Strand died last November American poetry lost one of its most distinctive voices. But it isn’t quite true. First, Strand had already retired from poetry several years earlier (before Philip Roth and Alice Munro caused a stir by doing so from fiction). Strand returned to his first career as an artist (a very talented one, accor ...

‘The singularity and importance of [Pier Paolo Pasolini’s] artistry lies largely in the protean, multimedial quality of his vision,’ Stephen Sartarelli rightly reminds us in this bilingual edition of Pasolini’s poetry. Nonetheless, to an Anglophone world Pasolini (1922–75) is best known as the rebellious and audacious director of such films as The Gospe ...

Chris Wallace-Crabbe reviews 'Dylan Thomas' by William Christie

Chris Wallace-Crabbe
Monday, 02 March 2015

The legendary Dylan has now been dead for a century and his fumy glitter has probably faded a little. But then, how far do any poets these days really have glamour to show for themselves, no matter how hard they drink? Very few, in the Anglophone world at least: there’s nobody around like Wales’s roaring boy.

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'Sack' by John Kinsella

David McCooey
Thursday, 26 February 2015

The eponymous poem in John Kinsella’s latest book recounts a group of teenagers witnessing a sack being flung from a speeding car. The sack, they discover, is filled with tortured kittens. This shocking poem of human cruelty begins a collection concerned with Kinsella’s great themes: the degradation of the environment, human violence (particularly towards animal ...

Peter Kenneally reviews 'Wild' by Libby Hart

Peter Kenneally
Tuesday, 16 December 2014

Libby Hart’s new collection is ornate and knotty in a way that the reader would never divine from its cover, which is clear and white, with ‘wild’ in plain green typescript. It is essentially a bestiary, with birds of all kinds, as well as other creatures, including humans, in wild places, blown by winds and salt spray, or bringing wildness to ‘settled’ hu ...

Bridget Vincent reviews 'Broken Hierarchies' by Geoffrey Hill

Bridget Vincent
Tuesday, 16 December 2014

In his November 2010 lecture delivered as Oxford Professor of Poetry, Geoffrey Hill tested the idea that poetry might constitute a form of perjury. He acknowledged that ‘this is a deeply pessimistic view: many would say anachronistic’. Showing that language is an imperfect and even fallen medium which presents moral hazards to its users was not, however, the ses ...

Geoff Page reviews 'Selected Poems' by Evan Jones

Geoff Page
Tuesday, 16 December 2014

Evan Jones’s Selected Poems is more than timely: its author was born in 1931. In an introduction (or ‘Personal Appreciation’), fellow Melbourne poet Alex Skovroncomplains that ‘Evan’s work has not always received the attention it deserves, especially in recent years’. It is worth pausing a moment to consider why this should be so.

Jones is ...

‘Lending printed eloquence to a poem’ comes from ‘Alas’, Chris Wallace-Crabbe’s elegiac tribute to Seamus Heaney. There is eloquence aplenty in this fine collection of more than a hundred and twenty poems edited by poet Geoff Page, someone who understands that eloquence speaks in many tones and in various formal structures. This variety is generously repre ...

Geordie Williamson explores the personal and wondrous world of critic and poet Clive James in his Notebook 2006–2014.

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Geoffrey Lehmann reviews 'Exhibits of the Sun' by Stephen Edgar

Geoffrey Lehmann
Wednesday, 26 November 2014

Exhibits of the Sun is Stephen Edgar’s tenth collection of poems. Born in 1951, he is now ripe for a major Collected Poems. With careful pruning of some lesser pieces, such a book will display the full range of his work, which marries virtuosic technique with powerful emotion and intellect.

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