States of Poetry Series Two
I am a dickhead in ways I thought I wasn’t
I am a dickhead in ways people who call me a dickhead can’t imagine
I am a dickhead in ways people who call me a dickhead can imagine
I am a dickhead with residues and hangovers of misapplic ...
Grasshopper on the window, the flyscreen, and stepping out
into the beige heat, over us. Tangled in our hair, hooked to our backs.
Grasshopper, cod wisdom. Grasshopper contraband on the eye-
out for plagues. The Australian Plague Locust and its tendency
to shift character when gathered together. In worship. In parliament.
O phase polyphenism, in which mor ...
We are thrilled to find evidence of roos returning –
after being driven out of the reserve and slaughtered
by hunters, the survivors are finding refuge at Jam Tree Gully.
The vestiges of the old mob. And maybe new mob driven
this way by hunters down on Victoria Plains. In the long grass
they hide. They make tracks and graze and flatten
areas for rest. They are
It rained heavy, ridiculously heavy, when the heat
was at its peak, and then it went dry – the ebb & flow
of the surface-water, the water soaked deep. It’s
thin-on now, even vanished. A dry creeping towards
longer cold nights. The tank is down to 20 000 litres,
or thereabouts. And no clean air for weeks, as farmers
have burnt their tinderish stubble to ash, ...
John Kinsella’s most recent volumes of poetry are On the Outskirts (UQP, 2017) Firebreaks (WW Norton, 2016), Drowning in Wheat: Selected poems 1980–2015 (Picador, 2016), and the three volume edition of his Graphology Poems 1995–2015 (Five Islands Press, 2016). His poetry collections have won a variety of awards ...... (read more)
for Lorraine and Tony
Not an expression of wealth but one of quiet desperation,
the heat and dry eviscerating hope – a giant shadehouse
of green cloth, and an above-ground keyhole
swimming pool, with avocadoes and ferns edging
the cement slabs, aura in the midday twilight.
And the red dust, too fine to shut out, decorating
the aqua-emerald wat ...
Landscape photographs from Black Saturday by John Gollings
Fremantle Arts Centre, July 2015.
enter a room and find stripes of night on each of the walls
pines have been hushed
black trunks block the light sky
and underfoot the ash is soft, waiting for wind
there can ...
– Dwerda Weelardinup
The whistle of the djidi-djidi on the army tank
slices the evening grey. Someone
is walking their dog. I am walking me
around this once defensive hill.
Gun House, Rifle Cottage. Cantonment.
Embers of a campfire through the scrub.
Quarried and tunnelled
– gradient constantly resettled.
At the Gunners ...
– photograph 1964.
at the bridal table
in front of Mill Hall stage
she is small
and tight lipped flowers
from somebody’s garden
in a bucket behind her head
the shell of her jacket
as though she has been
her chest an empty cavity
all that sheen –
damask on the table ...