Accessibility Tools
Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
Subscribe via iTunes, Stitcher, Google, or Spotify, or search for ‘The ABR Podcast’ on your favourite podcast app.
Episode #186
In this week’s ABR Podcast, Scott Stephens reviews a book by Anne Manne: Crimes of the Crimes of the Cross: The Anglican paedophile network of Newcastle, its protectors and the man who fought for justice. Why is narcissism a central theme for a book about child sexual abuse? Stephens writes: ‘without the capacity or willingness to be attentive to the humanity of another person’, unfathomable cruelty becomes possible. Scott Stephens is the ABC’s Religion & Ethics online editor and the co-host, with Waleed Aly, of The Minefield on ABC Radio National. Listen to Scott Stephens’s ‘Soul blindness: Clerical narcissism and unfathomable cruelty’, published in the May issue of ABR.
In the wake of other recent compelling débuts – Paige Clark’s meticulously crafted and imagined She is Haunted being a standout – three new short story collections, varying markedly in tone, style, and setting, offer bold and unsettling visions of twenty-first-century life.
... (read more)The Burnished Sun (UQP, $29.99 pb, 288 pp) by Mirandi Riwoe, Danged Black Thing (Transit Lounge, $29.99 pb, 240 pp) by Eugen Bacon, and Sadvertising (Vintage, $32.99 pb, 298 pp) by Ennis Ćehić are powerful, inventive, and self-assured short story collections that traverse fractured and contested ground through their often displaced and alienated narrators.
... (read more)Paige Clark’s She Is Haunted (Allen & Unwin, $29.99 pb, 264 pp) opens with the story ‘Elizabeth Kübler-Ross’, a title that alludes to the five stages of grief – denial, anger, bargaining, depression, and acceptance – that inform the rest of her début collection. Clark doesn’t explain why the narrator feels anxious about the survival of her unborn child and its father. The reader is left to assume that the prospect of too much undeserved happiness impels her to embark on a series of amusing and escalating bargains with a capricious God. That the narrator bears the losses with equanimity is indicative of the deadpan humour with which Clark deflects serious matters.
... (read more)I’m well overdue with this article, and I suspect John McLaren is never going to speak to me again. Trouble is, I’m on a frenetic reading jag and its mainly McLaren’s fault.
... (read more)