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Judith Bishop

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Anne Manne

Episode #186

Soul blindness: Clerical narcissism and unfathomable cruelty

By Scott Stephens

In this week’s ABR Podcast, Scott Stephens reviews a book by Anne Manne: Crimes of the Crimes of the Cross: The Anglican paedophile network of Newcastle, its protectors and the man who fought for justice. Why is narcissism a central theme for a book about child sexual abuse? Stephens writes: ‘without the capacity or willingness to be attentive to the humanity of another person’, unfathomable cruelty becomes possible. Scott Stephens is the ABC’s Religion & Ethics online editor and the co-host, with Waleed Aly, of The Minefield on ABC Radio National. Listen to Scott Stephens’s ‘Soul blindness: Clerical narcissism and unfathomable cruelty’, published in the May issue of ABR.

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Very rarely, a poem comes almost complete. Even then I’ll tinker. That could mean as many as twenty drafts. A typical poem will take fifty to seventy before it rings clear, without a false note, or a word that trips the tongue. Some drafts are minimal – one or two words. I save them all as Word documents and number them sequentially. That way, I can always go back to an earlier draft if I take a wrong turn. 

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Change Machine is an exceptionally strong third collection. To the extent that a schematic of thesis–antithesis– synthesis applies to poets’ books, this one both exceeds and incorporates the work that came before. Intriguingly, the title poem seems a late addition, citing the pandemic in three clipped lines, borne on the shoulders of two innocuous words, should and but:

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In a letter to a friend, American poet James Wright reflected on the meaning of a Selected Poems for a peer he considered undervalued: ‘It shows that defeat, though imminent for all of us, is not inevitable.’ He quoted ...

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Original voices are always slippery to describe. The familiar weighing mechanisms don’t work very well when the body of work floats a little above the weighing pan, or darts around in it. As in dreams, a disturbing familiarity may envelop the work with an elusive scent. It is no different for poetry than for ...

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To celebrate the best books of 2018, Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser

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It is a curious thing, and not a little moving, to see writers celebrated for their work in other genres turn in later life with renewed vigour to poetry. David Malouf, like Clive James, has avowed a desire for poetry now, as the main form of writing his expression wants to take. Certainly, its brevity has a part in this ...

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Watching others love
        is something
many do, I guess –
not so much a pastime
        as a mode

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The appearance of a New and Selected Poems by a widely loved and admired poet has all the pleasures of a major retrospective, but viewed alone, without the clamour of a gallery event. It’s in the nature of retrospective to raise the banner of analysis-as-public-spectacle. What does this art mean ...

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There is a shimmering, ludic intelligence to this collection of poems, Philip Mead’s first since 1984. The word ‘comeback’ is apt, with its grace note of gladness for renewed possibilities. Opening any new work, the anticipation is acute: will I be changed by reading this, and if so, how? What might I think, feel, or recognise ...

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Interval by Judith Bishop

by
April 2018, no. 400

Judith Bishop’s Interval appears just over a decade since the publication of her first book, also using a one-word title, Event (Salt, 2007). This gap seems far too long. Certainly, there have been two chapbooks in the intervening years – Alice Missing in Wonderland and Other Poems (2008), in the Wagtail series ...

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