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Advances

Picador has done rather well in this year’s Miles Franklin Literary Award (worth $28,000), with three of the five short-listed novels: Richard Flanagan’s Gould’s Book of Fish, Joan London’s Gilgamesh and Tim Winton’s Dirt Music. Completing the quintet are Steven Carroll’s Art of the Engine Driver (Flamingo) and John Scott’s The Architect (Viking). The winner will be announced in Sydney on June 13.

Perpetual Trustees has been kept busy with short lists, including the one for the 2002 Nita B. Kibble Literary Award for Women Writers. This one, to be announced in Sydney on May 7, is worth $20,000. Three works in different genres have been short-listed: Marion Halligan’s novel The Fog Garden, Jacqueline Kent’s biography of Beatrice Davis, A Certain Style, and Hilary McPhee’s memoir, Other People’s Words.

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‘A pox on the GST!’ wrote one of our many new readers last month when filling in her subscription form. ABR has long been famous for its feisty correspondence (never more so than last month). This editor is not about to disagree with our new subscriber. The imposition of GST on books and magazines surely rates as one of the crasser political acts in recent years. Anyone unsure of its effect on literature in this country should ask booksellers and publishers what sort of a year they had in 2000. Readers weren’t unscathed, either.

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Readers will notice major changes in this second issue of ABR for 2001. The cover looks notably different, courtesy of Chong, Text Publishing’s inimitable designer. I was delighted when Chong offered to redesign our cover. Our changed masthead seems sensible, for the magazine is known widely as ABR, after all. Readers can expect more design changes in coming issues.

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The second Adelaide Festival of Ideas will happen in mid-July. Local participants will include Tim Flannery, Raimond Gaita, Marcia Langton, and Ronald Wilson, and, from overseas, John D. Barrow and Vandana Shiva. The advertised themes are water, population, reconciliation, addiction/intoxication, and cosmology – something for everyone.

The Australian/Vogel Literary Award, now in its twenty-first year, is on again. Entries must be lodged by the end of May. You don’t have to be twenty-one to enter – just under thirty-five. Winners are guaranteed publication by Allen & Unwin, and a cheque for $20,000.

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Just what is the difference between a reviewer and a critic? It seems a question of status, based in turn on the frequency and quality of the reviewing. On the other hand, the critic is suggestive of reflective articles and/or books, whereas the reviewer is offering a first reading, a virginal reading so to speak, without the opportunity for prolonged reflection. Nor properly should there be such aftermath reflection, because the review presents itself, by definition, as a first response.

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This is the 150th issue of ABR since its revival in 1978, and so it would seem appropriate for us to look back on that time in order to come to some wise conclusions about the state of book reviewing, of literature, of communication and culture in this country.

Appropriate can go jump, however. 150 is splendid, and here’s to another 150 of them.

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