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September 2019, no. 413

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ABR Arts

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Book of the Week

Fiction

The Old Lie by Claire G. Coleman

Reviewed by

In The Old Lie, Claire G. Coleman has given herself a right of reply to her award-winning début novel, Terra Nullius (2007). Here, she strips away some of the racial ambiguity of the human–alien invasion allegory of that novel and leaves in its place a meaty analysis of colonisation and imperialism ...

Interview

January-February 2019, no. 408

Open Page with Geoffrey Lehmann

At night I sit on the brick patio of a beach house at Currarong with a garden of flannel flowers and kangaroo paws. I listen to the ocean through a windbreak of low eucalypts and banksias, just a hundred paces away.

Interview

Interview

April 2018, no. 400

Publisher of the Month with Nathan Hollier

Mostly I plan to write and then console myself I didn’t have time. Having written the odd thing, I have a greater respect for writing as a craft. As a publisher, I try not to pre-judge works written in modes or from a perspective that I don’t personally favour ...

From the Archive

October 2005, no. 275

James Ley reviews 'Slow Man' by J.M. Coetzee

Slow Man begins with an accident. Paul Rayment is cycling along an Adelaide street when he is struck by a car. When he emerges from a daze of doctors and painkillers, he discovers his life has been transformed by this random event. His crushed leg is amputated above the knee. From now on, he will ...

From the Archive

October 2003, no. 255

Kerryn Goldsworthy reviews 'Elizabeth Costello: Eight lessons' by J.M. Coetzee

Something like a double helix of dialectical thinking winds its graceful way through these ‘eight lessons’. Ideas and theories about the nature of human (and other) life and how to live it, about the workings and the relative merits of logic, reason, belief, and faith, are sketched, rehearsed, debated, and set in ...

From the Archive

November 2001, no. 236

Brian McFarlane reviews 'Dirt Music' by Tim Winton

Talk about unlikely associations. My first response to the opening chapter of Tim Winton’s latest novel was how its sense of a life at a standstill, awaiting some new impulse, reminded me of Jane Austen’s Emma. Winton’s protagonist, Georgie Jutland, with a string of unsatisfactory relationships behind her ...

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