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History

Two photographs from the present book, caught by the British press in 2009, vividly testify both to the fun and to the difficulty of maintaining ancient ritual in the modern world. In the first, a widely grinning Prince Harry, one leg extended in parody of traditional marching style ...

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As a reader, teacher, and scholar of Australian literature, I applaud any initiative directed towards increasing readers’ understanding of, and engagement with, Australian writing. Geordie Williamson’s The Burning Library sets out to achieve that goal. Through a mix of biography and literary review, Williamson seeks to recuperate the work and reputation of fifteen Australian writers whom he judges to have been underappreciated or sidelined by academics, publishers, and, consequently, the reading public. His stable of writers includes Marjorie Barnard, Flora Eldershaw, Xavier Herbert, Christina Stead, Dal Stivens, Patrick White, Jessica Anderson, Sumner Locke Elliott, Amy Witting, Olga Masters, David Ireland, Elizabeth Harrower, Thomas Keneally, Randolph Stow, and Gerald Murnane.

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It is a brilliant summer day in July 1935. The scene is a house called Green Ridges, near Hastings, Sussex. Two women, seated but not relaxed, face each other across a formal drawing room. This is the first time they have met. Nettie Palmer, Australian writer and journalist, has come to stay overnight with the novelist Henry Handel Richardson.

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Talk about unfortunate timing. On 10 December 2012, the New Yorker ran a lengthy profile on Elisabeth Murdoch, the older sister of Lachlan and James. Elisabeth, forty-four, lives in Britain, where – while her siblings have been marked down for everything from, in Lachlan’s case, One.Tel to Ten Network and, in James’s case, MySpace and phone hacking – she has quietly built a reputation as a savvy television producer and businesswoman. The profile is a public relations hosanna – unsurprising given that Elisabeth’s husband, Sigmund Freud’s great-grandson Matthew Freud, is a flack with his own PR firm – with the title declaring its subject to be, in capital letters, THE HEIRESS. The subheading simply states: ‘The rise of Elisabeth Murdoch.’

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Words matter, and there can be few more misleading ones in Australian history than ‘settlement’, as used to describe the period immediately following the arrival of the First Fleet. It connotes understanding and agreement. In Sydney Cove, by contrast, five distinct groups were present: Governor Phillip and his immediate entourage; naval vessels and their crews; a detachment of Royal Marines; a group of convicts; and the Indigenous people of the area whose home it had been for tens of thousands of years – all of them at some stage profoundly misunderstanding each other and often in major disagreement or conflict; all of them decidedly unsettled.

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It is fitting to compare the longevity of the Queen Mother’s life with a magnificent hand-woven carpet running along a length of parquet down a torch-lit ancestral hallway: she was the embodiment of the twentieth century precisely because her life more or less spanned it. She was born on 4 August 1900 and (allowing for a bit of overhang into this century) died on Easter Saturday, 30 March 2002.

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Over the last few years, issues associated with underdevelopment in Aboriginal Australia have been widely canvassed in the mainstream press, led by the likes of Noel Pearson, Marcia Langton, and Peter Sutton. This new edited volume adopts a somewhat different approach to Aboriginal development, focusing on Indigenous involvement in natural resource management around Australia.

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‘Reading through a hundred years of Poetry, week after week of issue after issue after issue, some forty thousand poems in all, Don and I, when we weren’t rendered prone and moaning, jolted back and forth between elation and depression.’ So Christian Wiman writes in his introduction to this elating, and never depressing, new anthology celebrating one hundred years of Poetry Magazine. Bear in mind that he and fellow editor Don Share did this while continuing with their day jobs as editors of the magazine, which receives some one hundred thousand submissions a year, and you will have some idea of the task they undertook.

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A million people thronged the streets of Barcelona on 11 September 2012, clamouring for liberty. This had been their special day long before 9/11. Like Gallipoli, it commemorates a defeat: the rout of the Catalans and their Austrian Hapsburg allies by the Bourbon monarch Philip V of Spain on 11 September 1714 in the closing stages of the War of the Spanish Succession. How could something that occurred three centuries ago get Barcelonans so worked up? It all goes back to the foundation of modern Spain through the marriage of Ferdinand of Aragon and Isabella of Castile in 1469. Forging a nation-state in an age of non-stop warfare proved a brutal business.

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Writing a book on a large, multifaceted, and complex historical subject on which there is a vast amount of source material is a little like sculpting a substantial yet elegant statue from marble. In this case, the sculpting process is far from complete. A potentially valuable book remains submerged within this long and inadequately edited volume. A clue to the problem lies in the subtitle, which asserts that the book is ‘the complete story of the Australian war’. There is, of course, no such thing as a complete history: even the longest multi-volume histories must decide what to exclude.

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