Australian History

Rupert (‘Dick’) Hamer proved to be one of Australia’s most innovative premiers. One sign of his unusual prestige is that this history of his life and times has perhaps been publicly praised more by Labor leaders than by his own Liberal colleagues.

Hamer’s family background was in the church, law, business, and politics. His paternal grandfather was the minister of the wealthy Independent Church (now called St Michael’s) on Collins Street, where he was distinguished for his highbrow sermons and the astonishingly high salary he received. Hamer was born in 1916 and was formally christened Rupert after a relative who had died at Gallipoli the previous year. He was a studious boarder at Geelong Grammar, eventually winning first class honours in three languages – Latin, French, and Ancient Greek. A school friend described him as never ‘fussed or flustered’. Those qualities remained with him. He could come home to suburban Canterbury after a turbulent week in parliament and sleep like a rock, then dig happily in the garden next morning.

Reading about the ‘khaki election’ of 1914 in Douglas Newton’s Hell-Bent evokes a sense of déjà vu in 2014, as Australia embarks on another war in the Middle East. During the campaign of 1914, Prime Minister Joseph Cook and Labor leader Andrew Fisher jostled to prove their loyalty to Britain and their enthusiasm for the impending war. Fisher’s efforts to match and outdo the conservative leader for patriotism bring to mind Opposition Leader Bill Shorten’s willingness to support the government’s military engagement in Syria and Iraq, and its amendments to national security laws. Plus ça change …

The white explorers who first penetrated the interior of this continent were exceptional men. White Australians of the time considered them heroes, performing an essential role in identifying opportunities for exploitation, settlement, and commerce. Mostly, the explorers were heroic – determined, tough, single-minded, and stoic in the face of enormous hardship. They also needed bushcraft, that elusive ability to ‘read’ the landscape, the weather, vegetation communities, and animal behaviour, so as to improve the quality of the daily judgements needed for survival. Success under these conditions requires a clear vision and a strong, intelligent, and organised leader. John McDouall Stuart and Augustus Gregory come to mind as examples; Robert O’Hara Burke does not.

In the interests of national security, my luggage was recently searched at Los Angeles airport. The culprit: Spy Catchers. The uncorrected proof copy was so bulky that it triggered an alert. I declined to tell the Customs and Border Protection officer (in no mood for irony) that one chapter in the offending item was entitled ‘Keeping out Undesirables’. David Horner’s first volume in the history of ASIO is a big book – big on detail, broad in scope, and, overall, impressive in achievement.

Hannah Forsyth, a lecturer in history at the Australian Catholic University in Sydney, begins her first chapter with the words: ‘In 1857 all of the Arts students at the University of Sydney could fit into a single photograph.’ Some neo-liberal critics of universities would argue that it has been downhill ever since. By World War II, Forsyth estimates that there were still only about 10,000 university students in Australia. Forsyth succinctly highlights the historical changes from a small élite higher education system, dominated by white male ‘god’ professors, to the current complex system, where more than one million students face major changes in higher education funding and settings.

On 17 January 1991, Alan Atkinson wrote to fellow historian Manning Clark to express his appreciation after reading The Puzzles of Childhood (1989) and The Quest for Grace (1990), Clark’s two volumes of autobiography. While Clark had only four months to live, Atkinson would soon begin work on The Europeans in Australia, a three-volume history of his country that would occupy him over the next twenty years. ‘I enjoyed both [the autobiographies],’ he told Clark; they ‘had a kind of subjectivity about them. It’s a remarkable style you use, which seemed to relate very much to me, so that they taught me a lot.’ Atkinson later described how he was ‘profoundly influenced’ by Clark’s work. Even more than the vast scale of Clark’s six-volume A History of Australia, it was the ‘infinite variety and open-ended stillness … of the past itself’ that affected him so intensely. Clark had shown Atkinson that the historian must ‘not just reimagine the national story but also do it in ways that ask questions about humanity itself’.

‘Canberra’ is a loaded term among Australians. The capital embodies the aspirations, expectations, and disappointments of a nation. It is at once a bold experiment in Australian democracy and a national source of ambivalence and derision, the unfortunate shorthand for the federal government, and a symbol of Australia’s collective disenchantment with politics. Many Australians feel they can speak for the capital and are quick to pass judgement on it. It is hotly contested ground. There is even tension between the Ngunawal, Ngarigu, and Ngambri people over who can speak for country on the Limestone Plains.

In times of high moral outrage at the barbarism of others, it is salutary to be reminded of the state-sanctioned viciousness of Australia’s past. Simon Barnard’s A–Z of Convicts in Van Diemen’s Land does this brilliantly. Australian convict history is a crowded field, but Barnard’s detailed and vivid illustrations breathe fresh life into it. In addition to the many architectural cutaway drawings (hospitals, jails, female factories, commissariats, coalmines, shipyards, treadmills), there is a wealth of social detail: the bell-pull system for solitary confinement cells, a water canteen, cell graffiti, named dogs of the Colony, the tattoos of Francis Fitzmaurice. Indeed, it is the rupture of the human dimension into the totalising aspects of the system that surrounded convict transportation that give this book real intellectual heft. The effect is achieved through image and text, drawing on the stories of many lesser-known personalities of the period from a rich range of primary source material.

Not many substantial private collections of art and decorative arts in Australia have remained intact from the nineteenth century. John Twycross (1819–89) was one of Melbourne’s early art collectors, and his collection has proved to be an exception. Twycross, lured there by the gold rush, made his money as a merchant in Melbourne in the middle of the nineteenth century. He began collecting art during the 1860s and became a major lender to the National Gallery of Victoria’s historic 1869 loan exhibition. He also spent heavily at the Melbourne International Exhibition of 1880 and even made a few purchases from the Melbourne Centennial Exhibition of 1888, the year before he died. He was also a lender to the 1888 exhibition. Some 200 of the works that Twycross purchased at these exhibitions have remained together. In 2009 a descendant donated them to Museum Victoria, which is custodian of the Royal Exhibition Building.