Fiction

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Gillian Dooley reviews 'The Pacific Room' by Michael Fitzgerald

Gillian Dooley
Friday, 24 November 2017

Simile haunts The Pacific Room. So many sentences begin ‘It’s as if ...’ that the phrase seems like an incantation. Michael Fitzgerald writes that he agrees with Robert Louis Stevenson that ‘every book is, in an intimate sense, a circular letter to the friends of him who writes it. They alone take his meaning.’ For the reviewer coming from outside the circle, this ...

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Anna MacDonald reviews 'Half Wild' by Pip Smith

Anna MacDonald
Friday, 24 November 2017

In this inventive début novel, Pip Smith recounts the multiple lives of Eugenia Falleni, the ‘man-woman’ who in 1920, as Harry Crawford, was convicted of murdering his first wife, Annie Birkett. Smith employs various types of text–sketches, newspaper articles, witness statements – alongside third-person accounts – to embroider an archive rich in narrative ...

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Kerryn Goldsworthy reviews 'Atlantic Black' by A.S. Patrić

Kerryn Goldsworthy
Friday, 24 November 2017

Writing this review in the first week in November, I look at the calendar and note that we are a few days away from the seventy-ninth anniversary of Kristallnacht, when, over the two days of 9–10 November 1938, at the instigation of Joseph Goebbels, there was a nationwide pogrom against German Jews that saw synagogues, business premises, and private ...

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Felicity Plunkett reviews 'Demi-Gods' by Eliza Robertson

Felicity Plunkett
Friday, 24 November 2017

In the preface to Demi-Gods, a boy burns moths with a magnifying glass. A girl – the novel’s narrator, Willa – watches ‘khaki wings’ that seem to be ‘folded from rice paper’. She imagines ‘ten moths circling a candle to form a lantern’, cries later, but does not stop Patrick. The wings ignite ‘like dog-eared pages in a book’ ...

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Brian Matthews reviews 'A Sea-Chase' by Roger McDonald

Brian Matthews
Wednesday, 25 October 2017

As Ratty observed to Mole, ‘There is nothing – absolutely nothing – half so much worth doing as simply messing about in boats.’ In Roger McDonald’s A Sea-Chase, lovers Wes Bannister and Judy Compton would certainly agree, but before they achieve Ratty’s state of nautical transcendence much that does matter has to be dealt with.

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Anna MacDonald reviews 'The Book of Dirt' by Bram Presser

Anna MacDonald
Wednesday, 25 October 2017

Within the last decade, a new wave of writers has emerged whose work is indebted to W.G. Sebald. Sebald’s name, become an adjective (‘Sebaldian’), is often used as shorthand for describing a writer’s approach to history and memory, or his or her use of images alongside word-text, or the presence of a peripatetic narrator, or the rejection of conventional gen ...

Cassandra Atherton reviews 'Rubik' by Elizabeth Tan

Cassandra Atherton
Wednesday, 25 October 2017

Invoking the Rubik’s Cube – a puzzle where twenty-six ‘cubelets’ rotate around a core crosspiece – Rubik is less a novel and more a book of interconnected short stories exploring narcissism, neoliberalism, and consumerism. At the book’s core is Elena Rubik, who dies in the first chapter with a Homestyle Country Pie in ...

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James Ley reviews 'First Person' by Richard Flanagan

James Ley
Wednesday, 25 October 2017

The literature of the modern era contains any number of stories about doppelgängers, divided selves, alter egos, obsessive relationships, and corrosive forms of mutual dependence. The enduring appeal of these doubling motifs is that they give a dramatic structure to abstract moral and psychological conflicts, but they can also ...

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Paul Giles reviews 'A Long Way from Home' by Peter Carey

Paul Giles
Wednesday, 25 October 2017

On learning that the premise of Peter Carey’s new novel involved a test of automobile reliability on a round trip across Australia, my first response was to dismiss it as a thin conceit for encompassing the country’s remoter landscape within a work of the imagination. The internet, however, quickly delivered old Pathé newsreels ...

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Geordie Williamson reviews 'The Passage of Love' by Alex Miller

Geordie Williamson
Wednesday, 25 October 2017

Every author has some version of origin story: a narrative describing what it was that first compelled him or her to write, or at least what attracted them to the role. You can hear the tale harden into myth as an emerging author shapes themselves to those obligatory rubrics of self-disclosure required by writers’ festivals. Sometimes ...

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