ABR Arts Visual Arts

Giacometti (Tate Modern)

Patrick McCaughey
Thursday, 08 June 2017

Tate Modern excelled itself with its Giacometti retrospective. It’s not easy to take a familiar modern master and return a new and compelling view of his work. Many years ago, MoMA in New York failed the challenge abysmally. They had nothing new to say about the artist and ...

... (read more)

In the last seventy days of Vincent van Gogh’s short life, he painted seventy paintings. His intense life as an artist lasted for a single decade, from the age of twenty-seven to thirty-seven. Before that he had been, variously, a trainee preacher, an evangelist to miners, a labourer, and an ...

... (read more)

Opportunities to see nineteenth-century American art are rare in Australia. This beautiful small exhibition offers fascinating parallels between Australian and American landscape painting of the period, both popularly admired as expressions of a national psyche, revealing ...

... (read more)

Letter from Paris

Lee Christofis
Thursday, 16 February 2017

The idea of visiting Paris in January to see six exhibitions and two repeats in five days may seem excessive to some people, but Paris’s museum offerings this northern winter were so impressive it was impossible to resist. At Frank Gehry’s lofty Fondation Louis Vuitton, hordes lined up ...

... (read more)

Philippe Parreno: Thenabouts (ACMI)

Sophie Knezic
Wednesday, 08 February 2017

Some may be puzzled by an exhibition titling itself ‘Thenabouts’. As a portmanteau, the word seems confusingly to displace time onto space. The term was in fact neologised by James Joyce in Finnegans Wake (1939), where a character asks, ‘Where are we at all? and whenabouts in the name of ...

... (read more)

There is an underlying theme to Nude: Art from the Tate collection: the tussle between the desire to connect humanity to mythology by shrouding our naked forms in grand narratives, and the will to see human nudity both objectively and subjectively, but most importantly as entirely our own ...

... (read more)

Two very different touring exhibitions are showing in Canberra this summer. A History of the World in 100 Objects, from the British Museum at the National Museum of Australia, tells a two-million-year story through works from the collection of the British Museum. It is based on former BM ...

... (read more)

On the Origin of Art (MONA)

Christopher Menz
Monday, 28 November 2016

MONA is not afraid to stage exhibitions that tackle big ideas and ask difficult questions. The latest offering, On the Origin of Art, does just that. As David Walsh, MONA’s owner says, ‘Let’s see if those who have insights into evolution can tease out something about the nature of art.’ ...

... (read more)

Life inside an Image (MUMA)

Sophie Knezic
Friday, 11 November 2016

The birth of cinema is conventionally linked to the Lumière Brothers’ inaugural public screening of their first film at the Salon Indien du Grand Café in Paris in December 1895: a forty-six second sequence showing Workers Leaving the Lumière Factory. But a compatriot inventor, Louis le Prince, ...

... (read more)

Graham Sutherland's portrait of Helena Rubinstein

Fiona Gruber
Tuesday, 25 October 2016

‘There are no ugly women, only lazy ones’ was Helena Rubinstein’s attitude to personal allure, and her mantra has been a source of hope and steely resolve to the millions of customers who have bought her cosmetics and unguents over the past century. Although she died in 1965, the Rubinstein ...

... (read more)
Page 4 of 7