Ian Dickson

Packer & Sons 

Belvoir St Theatre
by
21 November 2019

You would have to be living under a rock the size of Uluru not to be aware of the reassessment of the masculine sense of dominance and entitlement that is sweeping the Western world at the moment. From an American president who has openly boasted of assaulting women to a member of the royal family who, in an interview about his relationship with a notorious paedophile, blithely ignores the damage that this man and his cohorts inflicted on young women, we have seen a stunning lack of empathy towards the less powerful and well connected. In the business world, some consider this to be a requisite for success. It has become something of a truism to claim, as does Jon Ronson in his controversial book The Psychopath Test, that a high percentage of CEOs have psychopathic tendencies.

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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites. 

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Letter from Bucharest

by
12 September 2019

If one were to ask the average classical music lover to guess where, in the space of three weeks, she could hear orchestras of the calibre of the Berlin Philharmonic, the London Symphony, the Orchestra of the Age of Enlightenment, the Dresden Staatskapelle, and the Royal Concertgebouw, and artists of the eminence of Joyce Di Donato ...

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You plan to present a new radical production of Hamlet. But it’s a long play and you only have a small cast. It will need a fair bit of pruning and you’ll have to lose some characters or at least reduce their importance. You will leave in the soliloquies of course, but Rosencrantz and Guildenstern can go, as can the players ...

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It must be confessed that the advance publicity for STC’s production of Lord of the Fliesfilled this reviewer with foreboding. A perspective on William Golding’s allegory about the inherent savagery of humanity – a destructiveness that, in his words, ‘produces evil as a bee produces honey’ – which shrinks it to the malady of the moment, toxic masculinity ...

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Given his towering position in the pantheon of American authors, it is surprising that the bicentenary year of the birth of Herman Melville, born on 1 August 1819 in New York, is passing with such little fanfare. However, this reviewer recently managed to catch performances of opera versions of his two most famous creations ...

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With impeccable timing, the week the National Science Foundation published the first picture of a black hole, Sydney Theatre Company opened its production of Mosquitoes, Lucy Kirkwood’s exploration of the gulf between supposedly rational scientific knowledge and the vagaries of the human heart. Kirkwood has never been afraid of confronting big themes ...

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What exactly is a National Theatre for? What is its purpose? What form should it take? National theatres come in many configurations. There is the four-hundred-year-old Comédie-Française serenely presiding over French culture from the Salle Richelieu. The Habima Theatre of Israel ...

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Mary Stuart ★★★

by
11 February 2019

The contest between Elizabeth Tudor and her cousin Mary Stuart, providing two such meaty roles, has proved irresistible fodder over the years for actresses on both stage and screen. On film, Katherine Hepburn and Florence Eldridge, Vanessa Redgrave and Glenda Jackson, and Saoirse Ronan and Margot Robbie ...

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The tall, handsome, socially adept if emotionally reticent scion of a wealthy, well-connected family and the crumpled, physically unimpressive, excitable son of an alcoholic travelling salesman seem to be an unlikely pair to form a long-standing friendship. For both James Laughlin and Thomas Lanier ‘Tennessee’ Williams ...

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