Allen & Unwin

Selling books is a difficult business. Publishing, too. Booksellers and publishers need courage and imagination. A book about a contemporary Federal politician with the adjective ‘new’ in the title displays both these qualities. Tony Blair may have got away with ‘New Labour’ in Britain. In Australia, a large part of the disenchantment with politics and politicians stems from the feeling that, apart from the fresh face of Natasha Stott-Despoja, there’s nothing new around; no new ideas, no articulated vision of where the country might be in ten- or twenty-years’ time, nothing inspirational. Perhaps something might emerge before the next election. But no one’s holding their breath.

It can only be coincidence that two very similar novels have been produced by contemporary doctors, but the overlapping characters and themes of Cut and The Registrar are so striking that it’s hard not to visualise their authors, Susan White and Neela Janakiramanan, getting together somewhere to sketch out their early drafts. Both novels feature young female protagonists working in teaching hospitals, who are as dedicated to their patients as they are to advancing their careers.

Paul Daley will be familiar to many readers as a respected journalist expressly committed to exposing the blind spots of white culture’s dominant myths about Indigenous history and Australia’s national identity. Daley is perhaps less well known as a novelist and playwright. These two interests in his work – historical research and imaginative writing – inform his powerful second novel, Jesustown, Daley’s seventh book, and one which he felt ‘compelled’ to write.

Who made the best Sachertorte in the world? Andrew Riemer’s mum. The recipe is lost now, but it came from the Ursuline nuns in Sopron, a small Hungarian town where Andrew Riemer’s mother grew up. This information comes early in The Hapsburg Cafe, which is an account of the author’s second visit to the places of his childhood (the first account being recorded in Inside Outside). I waited and waited for him to go to the Ursuline Convent in Sopron and get the recipe, but the duffer never did. Even though he called a part of the book ‘Remembrance of Things Past’. Men. What’s a Madeleine when you could have a Sachertorte?

Verity Burgmann’s Power and Protest is an evocation of the major social movements that have arisen and thrived in Australia since the late 1960s, the black, women’s, lesbian and gay, peace and green movements. The writer is a well-known historian of Australian radicalism as well as a political scientist, and in combining history and politics she joins other social scientists such as Terry Irving, Judith Brett, James Walter, Murray Goot – an interesting tradition. In each chapter she offers an evocation of the various movements, outlining origins, developments, aspects, divisions, conflicts, difficulties, dilemmas, successes, achievements, as well as the opposition and resistance to these movements in the wider society. Burgmann writes with ease and energy, often with enjoyable irony and sarcasm. I liked her reference to Kate Millett’s Sexual Politics (1970) as ‘ovarious’. Power and Protest is entertaining as well as clear, and will surely prove indispensable for teaching.

In a major piece of historical revisionism, Dr John Hirst has scrutinised the so-called evils of convict society in New South Wales between 1788 and 1840. Together with a mythology that has stemmed from it. He sees the image of Botany Bay as a place of depravity, where ‘vice is virtue, virtue vice’, as having been created by the opponents of transportation, the late eighteenth-century prison reformers such as John Howard and Jeremy Bentham; he traces their influence through Evangelicals, like Wilberforce, to the liberal Russell and the radical Molesworth who, in the 1830s, saw Australian settlers wallowing with their assignees in a sensual sty. Since the penal colonies would never cleanse themselves, it behoved indignant parliamentarians at Westminster so to do.