WA contributor

Josephine Taylor reviews 'Murmurations' by Carol Lefevre

Josephine Taylor
Friday, 24 July 2020

Carol Lefevre has shown herself adept at exploring connection and alienation in different genres. In The Happiness Glass (2018), the ambiguous zone between fiction and memoir forms a creative space within which Lefevre plumbs the intricacies of motherhood and loss; home and exile. Murmurations is imbued with similar tropes, the slight heft of the book belying its ethical density and the scope of its narrative ambition.

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For two and a half decades, Samantha Power has been an advocate for US intervention to prevent genocide around the world – as a war correspondent, as an author, and as a member of the Obama administration (2009–17). The Education of an Idealist is a deeply personal memoir of that experience.

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Catherine de Saint Phalle already had an impressive publication history – five novels written in French and one in English – when her elegantly written, often heart-breaking memoir Poum and Alexandre was shortlisted for the 2017 Stella Prize. Her new novel, The Sea and Us, is her third book written in English since she came to Australia in 2003. Its title works both literally and symbolically. The Sea and Us is the name of the Melbourne fish and chip shop above which the middle-aged narrator, Harold, rents a room, having returned to his childhood city after eighteen years of living and working in South Korea.

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These are exciting times when the new normal for Australian crime fiction is strong domestic interest and sales, but also international attention in the form of Australian-only panels at overseas writers’ festivals, plus regular nominations and awards in Germany, the United States, and the United Kingdom. Whether this is a literary fad or sustainable in the long term – with Australian crime fiction becoming a recognisable ‘brand’ in the manner of Scandi-noir or Tartan-noir – will depend largely upon the sustained quality of the novels produced here.

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Stephen Bennetts reviews 'Gulpilil' by Derek Rielly

Stephen Bennetts
Monday, 16 December 2019

Australians have admired distinguished actor David Gulpilil in films like Walkabout (1971), Storm Boy (1976), The Tracker (2002), and Rabbit-Proof Fence (2002). Not so many will be familiar with the details of his recent life, as related by journalist Derek Rielly. We find Gulpilil dying of lung cancer in Murray Bridge, an unprepossessing town on the lower Murray River in South Australia. He is surrounded by friends and cared for by the heroic Mary Hood, a retired nurse who has dedicated much of her life to caring for Aboriginal people in the Top End. This follows several bleak years living as a ‘long grasser’ on the fringes of Darwin and doing time in Berrimah Prison on charges of serious assault during a drunken fight.

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The fortieth anniversary of the Sydney Gay and Lesbian Mardi Gras might have been an occasion for unbridled elation. Held in March of 2018, the celebration came soon after the bitterly fought battle to legalise same-sex marriage in Australia. Dennis Altman, a pre-eminent figure in Gay Liberation, paints a different picture of the Mardi Gras. His new book, Unrequited Love: Diary of an accidental activist, conveys a sense of unease despite the frolicsome charms of such festivities.

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Bruce Pascoe’s Salt is a wonderfully eclectic collection of new works and earlier short fiction, literary non-fiction, and essays written over twenty years. Structured thematically across six themes – Country, Lament, Seawolves, Embrasure, Tracks, and Culture Lines – Salt moves between the past and the present with Pascoe’s distinctively poetic voice. Readers of Dark Emu (2014) and Convincing Ground (2007) will be familiar with the style and subject matter but will discover newly released or reworked gems.

The title speaks to memories and ghosts triggered by the smell of salt; its ability to clean, to render flesh and skin from bone, to preserve evidence, to signal cumulative impacts on Country. The prevalence of salt speaks to the power and closeness of sea Country and our dwindling salty river systems, increasingly threatened by human intervention. Pascoe’s characters are richly drawn from this salted earth and exposed to the light and the elements. Whether presented as fiction or the voices of shared histories, his characters are grounded within the seasons and Country. So, too, in Pascoe’s view, are their possibilities of reviving this salted earth through heeding Indigenous knowledge and experience.

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'Death and Sandwiches'

Andrew Broertjes
Wednesday, 09 October 2019

Searing, mind-numbing grief at the loss of my partner of thirteen years was one thing, but such a breach of parking etiquette could not stand. The necessary adjustments were made, and the less serious business of grieving could begin. Later that day my sister weighed in. Her aid came in the form of fifteen ham-and-cheese sandwiches ...

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'Hailstone Villanelle'

John Kinsella
Wednesday, 25 September 2019

Hailstones in misshapen formation pound on roof corrugations,
distorted in scrying before reaching their target,
feathers and leaves stripped, birds and trees in transition.

To taste the ...

Alice Nelson reviews 'Act of Grace' by Anna Krien

Alice Nelson
Wednesday, 25 September 2019

A young Aboriginal girl wears an abaya because she wants to see how it feels to inhabit someone else’s experience, someone else’s history. An exiled Iraqi musician plays a piano in a shopping centre in suburban Melbourne. Native Americans protesting the construction of a pipeline on their traditional lands are shot at with water cannons and rubber bullets. Count ...

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