Brenda Walker
A bookseller, Trevor, sits in his shop in Melbourne making conversation with his customers: an exasperating mixture of confessional, hesitant, deranged, and disruptive members of the public. One man stalks him, armed with an outrageous personal demand; another tries to apologise for assaulting him. The apology is almost as unnerving as the attack ...
... (read more)Brenda Walker reviews 'A Lovely and Terrible Thing' by Chris Womersley
In Chris Womersley’s collection of short fiction, A Lovely and Terrible Thing, a man is caught in a fugue moment. Just after unexpectedly discharging a gun into the body of a stranger, he gazes at his reflection in a darkened window pane: ‘I saw someone outside looking in, before realising it was, in fact, my own reflection ...
... (read more)
To celebrate the best books of 2018, Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser
... (read more)Brenda Walker reviews 'The Year of the Farmer' by Rosalie Ham
‘In time and with water, everything changes,’ according to Leonardo da Vinci, who worked with Machiavelli on a strategic and ultimately doomed attempt to channel the flow of the Arno. Large-scale water management has had some notable successes in parts of Australia ...
... (read more)
John Kinsella’s short stories are the closest thing Australians have to Ron Rash’s tales of washed-out rural America, where weakened and solitary men stand guard over their sad patch of compromised integrity in a world of inescapable poverty, trailer homes, uninsured sickness, and amphetamine wastage. Poe’s adventure stories and internally collapsing character ...
Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...
... (read more)
In The Simplest Words, Alex Miller's recently published work on his own journey through country, writing, love, friendship, and fatherhood, there is a remarkable scene of levitation. Miller describes his young daughter soaring up his own bookshelves, pas ...
Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines
... (read more)Brenda Walker reviews 'Shirley Hazzard' edited by Brigitta Olubas
Shirley Hazzard is probably the most elegantly polished writer in the Australian canon: her novels and stories use traditional structures with great assurance, she writes from a thoughtful moral position, she is outspokenly engaged with the fine and the less fine elements of the Australia she once lived in, and she can be dry and funny. She spent most of her life in ...
We do nothing alone,’ writes Alex Miller, in his brief memoir ‘The Mask of Fiction’, where he gives an account of the generative processes of his writing. Art, according to Miller, comes from the capacity of the writer to ‘see ourselves as the other’. Early in his career, Miller’s friend Max Blatt woke him, in his farmhouse at Araluen, in order to dismis ...