William Christie

The legendary Dylan has now been dead for a century and his fumy glitter has probably faded a little. But then, how far do any poets these days really have glamour to show for themselves, no matter how hard they drink? Very few, in the Anglophone world at least: there’s nobody around like Wales’s roaring boy.


At Rome, aged 25, Mr. John Keats, author of a volume of beautiful poetry’, recorded the Liverpool Mercury of 30 March 1821 amongst its death notices, in what is arguably the earliest and shortest of a never-ending stream of interpretative biographies, of which this excellent one from Nicholas Roe is the latest: more than 400 pages and as many – or as few ...

The Cambridge Companion to the Sonnet edited by A.D. Cousins and Peter Howarth

September 2011, no. 334

It is a measure of the stature of William Wordsworth among his younger contemporaries that he would find himself subject to innumerable challenges over the early years of the nineteenth century. What upset the second generation of Romantic poets – Percy Bysshe Shelley, Lord Byron, and, to some extent ...

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What is a ‘literary life’? The phrase is invitingly open. Some writers seem to live their lives with a studied circumspection, as if creating a work of art. Everything is crafted to present only what the writer wishes to reveal, exactly as in creating a literary work. Oscar Wilde and Jack Kerouac may seem odd bedfellows, except in this one regard. Oscar’s bon mots and flamboyantly witty social gestures mirror those of his written personae, to the extent that his life is his art and his art is his life, exactly as he almost said. Kerouac’s crucial discovery may have been that getting ‘on the road’ could lead not only to a bestseller that influenced a generation, but that it could also shape the perception of his life, where the public and private became synonymous. All the automatic writing of his letters, the photographs of his circle of friends who also people his books, the laconic interviews, even his brooding, photogenic likeness to James Dean, are an integral part of his literary self-creation, intrinsic with a philosophy of staying in a speeding car and observing life from the fast lane. For both Wilde and Kerouac, ‘style’ is the word that links the literary and the life. However different from each other, both are dramatically self-consistent in lifestyles and literary styles.

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