Opera Australia

The Ghost Sonata 

Michael Halliwell
Monday, 16 September 2019

A few years before he wrote his play The Ghost Sonata (1907), August Strindberg bitterly observed: ‘Life is so horribly ugly, we human beings so abysmally evil, that if a writer were to depict all that he had seen and heard no one could bear to read it ... Breeding and education seem only to mask the beast in us, and virtue is a disguise ...

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Andrea Chénier 

Peter Rose
Monday, 19 August 2019

A few weeks after that memorable Peter Grimes from the Sydney Symphony Orchestra, Sydney and Melbourne ...

Whiteley (Opera Australia) ★★★★

Michael Halliwell
Tuesday, 16 July 2019

Unlike the many films about the lives of artists, operas in which visual artists feature are few, though two of the most popular in the repertoire, Puccini’s Tosca and La Bohème, both have painters as central characters. The lives of artists are often messy affairs and resist convenient shaping into narrative arcs, with the actual creative process difficult to dramatise effectively ...

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Anna Bolena (Opera Australia) ★★★★

Peter Rose
Monday, 08 July 2019

Opera Australia – in its present expansionary phase – has hitched its wagon to a digital star in the form of a series of seven-metre-high LED screens. The future moves about on a busy automation system, thus creating a series of new dramatic spaces. Interviewed in the July 2019 issue of Opera magazine, Lyndon Terracini ...

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Il Viaggio a Reims (Opera Australia) ★★★★

Elizabeth Kertesz
Monday, 27 May 2019

On 24 May 2019, an excited Melbourne audience witnessed a night of spectacular entertainment and magnificent music in the Australian première of Rossini’s 1825 opera Il Viaggio a Reims, exuberantly reimagined by Damiano Michieletto. Il Viaggio is an opera with multiple backstories. It was Rossini’s first commission ...

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West Side Story (Opera Australia) ★★★

Peter Tregear
Wednesday, 10 April 2019

Some sixty-two years after its Broadway première, Leonard Bernstein and Jerome Robbins’s musical and geographical updating of Shakespeare’s Romeo and Juliet continues to pack a powerful dramatic punch. While not without its weaknesses, such as the reliance on now-dated street slang and ethnic stereotypes ...

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Salome (Opera Australia) ★★★★

Michael Halliwell
Thursday, 07 March 2019

Alex Ross, at the start of his acclaimed survey of twentieth-century music, The Rest Is Noise: Listening to the twentieth century, describes in vivid detail the luminaries gathered for one of the first performances of Richard Strauss’s Salome in Graz on 16 May 1906, five months after the Dresden première ...

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Wozzeck (Opera Australia) ★★★★

Michael Halliwell
Tuesday, 29 January 2019

It is often observed that we live in an age of ‘directors’ opera’, where the name of the director precedes the name of the opera, never mind the composer. Yet there remain relatively few directors who have become indelibly associated with a particular visual style. South African William Kentridge is one ...

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Die Meistersinger von Nürnberg (Opera Australia) ★★★★

Michael Shmith
Wednesday, 14 November 2018

Let it be said – indeed proclaimed – that Opera Australia’s new production of Wagner’s paean to life and art and love is musically as close to a triumph as it could have been. If, by the end, you feel the outside world is a better place than the one you temporarily abandoned six hours earlier, then Die Meistersinger von Nürnberg has surely wrought ...

Peter Rose interviews American Soprano Amber Wagner for the ABR Podcast following the first cycle of Richard Wagner's Der Ring des Nibelungen, which is being presented in Melbourne by Opera Australia. Amber Wagner plays the role of Sieglinde in the second opera Die Walküre.