Some sixty-two years after its Broadway première, Leonard Bernstein and Jerome Robbins’s musical and More
It is often observed that we live in an age of ‘directors’ opera’, where the name of the director precedes the name of the opera, never mind the composer. Yet there remain relatively More
Let it be said – indeed proclaimed – that Opera Australia’s new production of Wagner’s paean to life and art and love is musically as close to a triumph as it could have been. If, by the end, you feel the outside world is a better place than the one you temporarily abandoned six hours earlier, then Die Meistersinger von Nürnberg has surely wrought ... More
Peter Rose interviews American Soprano Amber Wagner for the ABR Podcast following the first cycle of Richard Wagner's Der Ring des Nibelungen, which is being presented in Melbourne by Opera Australia. Amber Wagner plays the role of Sieglinde in the second opera Die Walküre.
Mozart's third great collaboration with librettist Lorenzo da Ponte, Così fan tutte, has enjoyed a chequered performance history since its première in the Burgtheater in Vi More
One can't get away from Carmen. The happy combination of unforgettable tunes, the exotic ambience, and a psychologically plausible plot (by no means a sine qua non in the genre) have ensured that Georges Bizet's masterpiece is among the top three most performed operas worldwide nowadays. Even by these standards, however, Sydney's recent Carmen fixa ... More
Melbourne's long Indian summer coincided with Opera Australia's 2016 autumn season. It began with a revival of La Bohème and the new production of The Pearlfishers< More