Monet: Impression Sunrise

National Gallery of Australia
Reviewed by
ABR Arts

Monet: Impression Sunrise

National Gallery of Australia
Reviewed by
ABR Arts

Claude Monet, Haystacks, midday [Meules, milieu du jour], 1890, oil on canvas, 65.6 x 100.6 cm (Purchased 1979 National Gallery of Australia, Canberra)Claude Monet, Haystacks, midday [Meules, milieu du jour], 1890, oil on canvas, 65.6 x 100.6 cm (Purchased 1979 National Gallery of Australia, Canberra)

What makes this Monet exhibition different from any other Monet exhibition? This was the question at the forefront of my mind as I approached the National Gallery of Australia’s exhibition Monet: Impression Sunrise. As one would expect, it is an exhibition about painting – colour, brushstroke, the rendering of light and dark by artists who went out into the landscape and sought to capture in paint what they saw and felt. It is undeniable that Claude Monet was an innovative painter whose canvases will continue to enthral audiences. Attractively organised – note how the works in the room featuring Haystacks, midday (1890) are colour coordinated; mauve dominates – Monet: Impression Sunrise is a reminder of the pleasures that come from experiencing Impressionist canvases firsthand.

Monet: Impression, Sunrise is a show in two halves. On first entering the exhibition, one encounters paintings by artists associated with the British School. Works such as J.M.W. Turner’s Inverary Pier, Loch Fyne: Morning (c.1845), Whalers (boiling blubber) entangled in flaw ice, endeavouring to extricate themselves (exh.1846), and Stormy sea with dolphins (c.1835–40) anticipate Monet’s Impression, sunrise in terms of the rendering of light, flattening out of form, free application of paint, and innovative use of colour.

From the New Issue

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.