Keren Rosa Hammerschlag
Keren Rosa Hammerschlag is a Lecturer in Art History and Curatorship in the Centre for Art History and Art Theory in the School of Art & Design at the Australian National University. Following the completion of her PhD in Art History at the Courtauld Institute or Art, she undertook a three-year Wellcome Postdoctoral Fellowship in the Centre for the Humanities and Health at King’s College London. From 2013-2018 she taught in Art History and Women’s and Gender Studies at Georgetown University in Washington, D.C. Her research focuses on nineteenth-century painting, and the intersections between art and medicine during the Victorian and Edwardian periods. She is the author of Frederic Leighton: Death, Mortality, Resurrection (Ashgate / Routledge; 2015) and numerous articles on Victorian neoclassicism and medical portraiture. She is currently writing a book about the representation of racial difference and racial hybridity in Victorian painting.