Bottomless is an apt title for Dan Lee’s multifarious study of addiction, redemption, and the ever present schisms that echo from the past. Its sharply crafted and occasionally brilliant dialogue underscores a narrative grappling with cultural and emotional complexities of unplumbed depth. With little more than a brisk hour to explore them, it’s also a play that feels frustratingly unmoored to any solid conclusions.
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Maxim Boon is an arts and culture writer and editor based in Melbourne. He is the Senior Group Editor and National Arts Editor of Street Press magazine The Music, and formerly the Online Editor of Limelight Magazine. He is the new classical music critic for The Age. Maxim also writes extensively about the LGBTQ community, queer culture, and politics.
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