Così fan tutte (Metropolitan Opera)

ABR Arts is generously supported by ABR Patrons and Copyright Agency Cultural Fund.
Peter Rose Thursday, 26 April 2018
Published in ABR Arts

‘When you’re young, you believe everything,’ Jonas Kaufmann muses in Thomas Voigt’s biographical study, In Conversation with Jonas Kaufmann (Weidenfeld & Nicolson, 2017). The German tenor, a frequent Ferrando at the start of his career, went on: ‘And now imagine: two couples who live next door to each other go off on holiday together and share everything. And at some stage the point comes when each of them wonders what it would be like to swap partners. Curiosity and fun turn to seriousness, leading in turn to conflict. No one wants to return to the original arrangement.’

Original arrangements are especially vulnerable in Mozart’s antepenultimate opera, Così fan tutte, his last of three with librettist Lorenzo Da Ponte.

Read the rest of this article by subscribing to ABR Online for as little as $10 a month.

We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, enter your username and password in the ‘Log In’ section in the top right-hand corner of the screen.

If you require assistance, contact us or consult the Frequently Asked Questions page.

Published in ABR Arts
Peter Rose

Peter Rose

Peter Rose is the Editor and CEO of Australian Book Review. His books include a family memoir, Rose Boys (2001), which won the National Biography Award in 2003. He has published two novels and six poetry collections, most recently The Subject of Feeling (UWA Publishing, 2015).

Leave a comment

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.

NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to comments@australianbookreview.com.au. We will review your comment and, subject to approval, we will post it under your name.