Paul Morgan

We are often told that baby boomers reshaped every stage of life they passed through. They are the most liberal-minded, creative, self-assured – and most of all, lucky – generation in history. Pop music, the sexual revolution, environmentalism, the internet – there is little, it seems, they have not been responsible for in the modern world. As they approach th ...

Imagine a child falling ill. Her fever worsens. Becoming paralysed, she screams in pain. Rushed to hospital, she is separated from her family for months. She undergoes agonising treatments: strapped in splints, encased in plaster, weeping as her limbs are stretched on rack-like machines. She may be encased in an 'iron lung' to breathe, like a coffin with her head po ...

Many public figures are fated to be remembered for a single incident rather than a lifetime's work (think of Gough Whitlam's ad-libbing outside Parliament house, or his nemesis's trousers, forever lost in Memphis). Often, almost perversely, it is one event that stays in the mind. For Keith Murdoch (1885–1952), that phenomenon was the so-called 'Gallipoli letter' o ...

The trial of Frederick Park and Ernest Boulton in 1870 might have been designed for the media to whip up public outrage in a familiar mix of moral disapproval and prurient detail. As Neil McKenna’s Fanny and Stella reveals, this was indeed the intention of the British government of the day.

The cover of Shirley Hazzard’s The Great Fire shows a vast and terrible conflagration. Flames reach high into the sky, devouring the air and seeming to set the wide river alight. In the distance, an eerily familiar pair of ghostly towers rises above the smoke. In the foreground, tiny human figures move around as a boat sets off towards the fire, perhaps in ...