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ABR Arts

Book of the Week

Thunderhead
Fiction

Thunderhead by Miranda Darling

A feminist triumph and homage to Virginia Woolf, Miranda Darling’s Thunderhead is a potent exploration of suburban entrapment for women. The novella opens with a complex satire of Ian McEwan’s response to Woolf’s Mrs Dalloway (1925) in his novel Saturday (2005). All three books are set over the course of a single day, where the intricacies of both the quotidian and extraordinary occur. In this novella’s opening paragraphs, Darling’s protagonist, Winona Dalloway, wakes to see the sky ablaze through her window. While ‘it is dawn in the suburbs of the east’ – rather than a burning plane, evoking 9/11 terrorism, as in McEwan’s novel – she believes it ‘telegraphs a warning, red sky in the morning’. This refers to the opening of Mrs Dalloway, where Clarissa Dalloway feels, ‘standing there at the open window, that something awful was about to happen’.

Interview

Interview

Interview

From the Archive

December 2009–January 2010, no. 317

The Best Australian Poems 2009 edited by Robert Adamson

Reviewing Martin Langford’s Harbour City Poems in the November 2009 issue of ABR, I remarked on the absence from the anthology of new young voices. This is a criticism that cannot be made of Robert Adamson’s selection for this year’s Black Inc. Best Australian Poems. Adamson, distinguished poet and Hawkesbury fisherman, has cast a very wide net, departing from the practice among recent editors of this fine series by including unpublished poems; some of these are from established poets, but several are from new and usually young writers whose work bears witness, in the editor’s words, to ‘the power of the incoming tide’. Thankfully, the days have gone when blokes who wrote poems selected their mates’ work when they came to edit anthologies. Adamson didn’t set out to redress any perceived gender imbalances, but more than half of his selection consists of work written by women; this has been ‘the year of the women poets’, as he says.

From the Archive

From the Archive

April 2009, no. 310

The Sleepers Almanac, No. 5 edited by Zoe Dattner and Louise Swinn & New Australian Stories by Aviva Tuffield

What makes a good short story? Zoe Dattner and Louise Swinn, editors of the fifth Sleepers Almanac, say there is no objective measure of quality; that everyone likes something different; and that they simply choose what appeals. As I sit down with their funky-looking volume, I don’t want to believe it. If that is the case, there is no place for literary critics, no real justification for academic literary study, and the premise for an editor’s judgement is shaky. Why should what they like matter particularly?