Italian political philosopher Giorgio Agamben’s diagnosis of the condition of ‘bare life’ has assumed a new significance during the coronavirus outbreak. A new book, Where Are We Now? The epidemic as politics, collects some of Agamben’s most thought-provoking commentary on the politics of state responses to Covid-19. In today’s episode, David Jack reads his October article ‘Bare life and health terror’, in which he applies some of Agamben’s key insights to Australia, arguing that the philosopher’s willingness to speak up for the preservation of the foundations of civic life offers a tonic to the atmosphere of alarmism and the new medically endorsed state of exception.

It’s difficult to imagine a more hotly anticipated novel than Irish author Sally Rooney’s Beautiful World, Where Are You. Fiercely embargoed advance copies have sold for vast sums on eBay, and British publisher Faber even set up a custom Sally Rooney store – featuring branded bucket hats, tote bags, and a coffee truck. The author’s two prior works, Conversations with Friends and Normal People, garnered critical acclaim for their insights into young love in the modern age, with pundits even declaring her ‘the first great Millennial novelist’. ABR critic Beejay Silcox delves into Rooney’s latest work for our October issue, available to read tomorrow, September 30. In today’s episode, Beejay first discusses the entangled process of critiquing Beautiful World, Where Are You, before reading her review in full.

In the pre-television era of the early twentieth century, radio reigned supreme. It offered news and light entertainment, but also a means of communion and solidarity for the many women confined to the domestic sphere. In her new book Sound Citizens, historian Dr Catherine Fisher explores how a cohort of professional women broadcasters, activists, and politicians began utilising radio to improve the status and rights of women in Australia. In today’s episode, we hear from writer and historian Dr Yves Rees, who reviewed the book for ABR’s recent September issue. Rees is a David Myers Research Fellow in History at La Trobe University and co-host of the history podcast Archive Fever. Yves has published widely across Australian gender, transnational and economic history, and also writes on transgender identity and politics.

ABR’s Calibre Essay Prize is one of the world’s leading prizes for an original essay. This year, we received a record field of 638 essays. Today we hear from Anita Punton, who placed second for her essay ‘May Day’, a poignant memoir about piecing together her father’s life after his death. Our judges – Sheila Fitzpatrick, Billy Griffiths, and Peter Rose – described Punton’s essay as ‘a rich and moving evocation of a relationship between father and daughter’, one ‘written with humour and flair, offering a complex portrait of Punton’s father: a brilliant, narcissistic man, whose life was full of contradictions.’

‘Other biographers write about him as if he were a normal person, not the weirdest man who ever lived.’ So says Frances Wilson, British author of the book Burning Man (Bloomsbury), a radical new biography of the captivating and contentious D.H. Lawrence. Geordie Williamson, who reviewed Burning Man for ABR’s August issue, described it as a ‘meta-biography’ that is ‘lovely on the page, often thrilling in its daring’. In today’s episode, Wilson sits down with ABR Editor Peter Rose to discuss the complexities of writing about the enigmatic Lawrence. 

In today’s episode, listen to Joel Deane read his review of An Ugly Truth by Sheera Frenkel and Cecilia Kang, an account of Facebook’s meddling in the 2016 US elections that ushered Donald Trump into the Oval Office. Joel Deane argues that despite Zuckerberg’s show of civic-mindedness, Facebook’s data-mining enterprise has always been driven by contempt for its users – a manipulable mass of ‘dumb fucks’, as Zuckerberg once put it.

This year, the ABR Elizabeth Jolley Short Story Prize received nearly 1500 entries from thirty-six different countries, a record field. Placed third was ‘A Fall from Grace’ by John Richards. The story is the first work of historical fiction to appear on the shortlist of the Jolley Prize. In today’s episode, listen to the author read ‘A Fall from Grace’, which our judges described as ‘a deliciously enigmatic story, rich in the overtones of the international canon: Balzac, Calvino, Borges. Set in pre-revolutionary rural France, a talented painter’s career receives an unforeseen jolt that simultaneously shadows his life and propels his work from realist proficiency to metaphysical greatness.’

In today’s episode, ABR looks back at the winner of the inaugural Calibre Essay Prize in 2007: ‘An Die Nachgeborenen: For Those Who Come After’ by Elisabeth Holdsworth. Holdsworth was born in the Netherlands in the years following World War II. Zeeland, where she grew up, was heavily bombed during the war and later flooded. Her poignant essay is a dialogue with the past, detailing her recent return to the Netherlands, her family’s vicissitudes and suffering during the war, and an unforgettable portrait of her conflicted mother.

Recently, for the eleventh time, ABR presented the Elizabeth Jolley Short Story Prize. This year the Prize attracted 1,428 entries, from thirty-six different countries. In a virtual ceremony last night, ABR named Camilla Chaudhary as the winner of this year’s Jolley Prize for her story titled ‘The Enemy, Asyndeton’. The judges – Melinda Harvey, Elizabeth Tan, and Gregory Day – described Chaudhary’s entry as ‘a delightful, nimble story; the characters bristle with life, and the dialogue is crisply rendered’. In today’s episode, listen to Camilla Chaudhary read her story in its entirety.

Few books have had as decisive an impact on the history of Indigenous Australian land management as Bruce Pascoe’s Dark Emu. And yet, as Peter Sutton and Keryn Walshe argue in Farmers or Hunter-gatherers?, the foundations upon which Pascoe builds his account of Indigenous agriculture may be shakier than first thought. In his review of Sutton and Walshe’s book, writer and anthropologist Stephen Bennetts assesses not only their criticisms of Pascoe’s claims, but also the surrounding controversy that has turned a scholarly debate into another theatre in a culture war. What this political furore threatens to obscure is the long tradition of Australian anthropological research that has been essential to the legal restoration of Indigenous land ownership.