In the film Almost Famous (2000), director Cameron Crowe’s alter ego, fifteen-year-old William Miller, doggedly pursues his dream of breaking into rock journalism. He cold-calls legendary music journalist Lester Bangs (marvellously played by a dishevelled Philip Seymour Hoffman). Next thing we know, he is commissioned by Rolling Stone editor Ben Fong-Torres to head out on the road with fictitious band Stillwater to write a story that ends up on the cover of Rolling Stone. If only it were that easy.

Two weeks after he announced the reintroduction of conscription in late 1964, Prime Minister Robert Menzies addressed a political rally at Hornsby, in the Liberal heartland of Sydney’s north-west. Menzies received what historian Carolyn Collins described as a ‘rockstar welcome’. However, when he spoke about national service, a group of black-clad women in the audience rose to their feet and covered their heads with black veils, standing silently for several minutes in the face of jeers and boos. They eventually filed out of the hall, handing out anti-conscription pamphlets as they left. Margaret Holmes, who had helped organise the protest, recalled later that it ‘stopped [Menzies] in his tracks’. Organised by the Women’s International League of Peace and Freedom, it was the first women’s protest against conscription in the Vietnam era, but it would not be the last. Weaponising decorous, middle-class femininity would prove to be a potent strategy in the nine long years it took to abolish conscription in Australia.

This book is about the battles in which the First Australian Imperial Force took part between June and November 1917. It is not, however, a battle history. Rather, it takes the interesting approach of investigating how Australians remember these battles. Spoiler alert: they don’t.

‘Orange balloons. Orange streamers. Orange shirts.’ Cathy McGowan’s memoir is saturated and literally wrapped in the colour. Cathy Goes to Canberra begins with an account of the election of her independent successor as Member for Indi, Dr Helen Haines, in May 2019 – ‘with orange everywhere’.