Australian Fiction

In Melissa Ferguson’s impressive sci-fi début, wealthy, tech-enhanced Homo sapiens cordon themselves off behind a shining wall. In the desert outside their City (‘City 1’), ‘Demi-Citizens’ live in slum conditions, riddled with disease, hunger, and mistrust ...

In Driving Into the Sun, Marcella Polain – winner of the Anne Elder Award, the Patricia Hackett Prize, and more – has done an excellent job of capturing the inner emotional landscape of a young girl growing up fatherless in Perth’s outer suburbia in the 1960s ...

The first thing one notices about Jaclyn Moriarty’s Gravity Is the Thing is its narrative voice: distinctive, almost stylised. Exclamation marks, emphasised words in italics, a staccato rhythm, and clever comments in parentheses add up to a writing style sometimes deemed quirky ...

The American writer bell hooks had characterised the 1990s as a period of ‘collusion’ between well-educated white women and the capitalist patriarchy (Where We Stand: Class matters, 2000). The new workplace gave these women greater economic power but curbed their ...

What does it mean to live in a place but never to fully belong to it? How does our capacity for intimacy alter when we are in exile? How do we forge an identity among haphazard collisions of cultures and histories? These are the questions that Melanie Cheng ...

In Chris Womersley’s collection of short fiction, A Lovely and Terrible Thing, a man is caught in a fugue moment. Just after unexpectedly discharging a gun into the body of a stranger, he gazes at his reflection in a darkened window pane: ‘I saw someone outside looking in, before realising it was, in fact, my own reflection ...

Care and compassion, a fair go, freedom, honesty, trustworthiness, respect, and tolerance. These were the nine ‘Australian values’ that former Liberal Opposition Leader Brendan Nelson demanded be taught in schools, especially Islamic schools, across the nation in 2005. How? ...