Features

In describing the enduring cultural impact of The Spy Who Came in from the Cold – published fifty years ago and often nominated as the best spy novel ever written – a good place to start, strange though it may sound, is James Bond. John le Carré’s squalid yet subtle world of Cold War spies may appear antithetical to the glamorous fantasy of Bond. ...

To begin at the beginning. ‘When the first Pakeha ship came,’ Te Horeta told the explorer Charles Heaphy, ‘I was a lad … [about twelve years old].’ Watching the ‘white people’ row ashore, ‘paddling with their backs to the way they were going’, the boy and his companions ‘thought they must have eyes behind their heads’.

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It is a brilliant summer day in July 1935. The scene is a house called Green Ridges, near Hastings, Sussex. Two women, seated but not relaxed, face each other across a formal drawing room. This is the first time they have met. Nettie Palmer, Australian writer and journalist, has come to stay overnight with the novelist Henry Handel Richardson.

As novelist an ...

Soon after the announcement of the shortlist of this year’s Miles Franklin Literary Award (‘the Miles’), bookmaker Tom Waterhouse installed Anna Funder’s All That I Am (2011) as favourite. Fair enough, too: it’s an astute and absorbing Australian novel about, among other things, Nazism’s long shadow. But Waterhouse favoured Funder – oddly – ...

Few writers, it could be argued, have ever cannibalised life for their art as ruthlessly and consistently as did Martin Boyd; and few are born into situations which lend themselves so readily to art. Boyd’s working life – indeed, much of his entire existence – was spent trying to unite the past with the present, the old world with the new, himself with the man ...

‘To choose the best, among many good,’ says Dr Johnson in his ‘Life of Cowley’, ‘is one of the most hazardous attempts of criticism.’ The truth of this maxim is borne out nicely in the controversy surrounding – or perhaps emanating from – Rita Dove’s new selection of twentieth-century American poetry ...

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Recognising biography as ‘one of the new terrors of death’, the eighteenth-century wit John Arbuthnot made sure his life would be sparsely documented. Manning Clark, preoccupied with his inevitable extinction, took the opposite tack. He massively archived all his thoughts and doings as a strategy ...

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With 1086 pages of poems and critical biographies, Australian Poetry Since 1788 – the third anthology co-edited by Robert Gray and myself – is by far the largest anthology of Australian poetry to date, and at least twice the size of its predecessors. Perhaps controversially, it has fewer poets than many earlier anthologies, with only 174 named poets. Bu ...

Christina Stead is an author perennially ripe for rediscovery. Her acknowledged masterpiece, The Man Who Loved Children, came out originally in 1940; in 2005, it figured in Time’s list of the 100 best novels published since 1923. But in his introduction to the Miegunyah Modern Library edition of the novel, American novelist Jonathan Franzen cites ...

The business of growing up starts with distancing ourselves from our parents. It ends (as far as it ever ends) with drawing them close again. Rather than disappointing giants, we recognise them at last as fallible, unique human beings. We recognise them in ourselves, and so they become real to us.

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