Accessibility Tools

Nathan Hollier

The three-volume History of the Book in Australia is now complete. Scholars of Australian book history would be aware that an earlier volume, covering 1891–1945, appeared in 2001 (A National Culture in a Colonised Market, edited by Martyn Lyons and John Arnold) and that in 2006 a second volume brought the story up to 2005 (Paper Empires, edited by Craig Munro and Robyn Sheahan-Bright). Both titles were published by the University of Queensland Press. The end of that publisher’s capacity to support the project, with Australian Research Council funds long gone, is one challenge among others cited by co-editor Wallace Kirsop that sheds light on the long gestation of this final volume. The last to be published, it is in fact the first in the History’s series, covering the period 1788 to 1890.  

... (read more)
William Dalrymple’s The Golden Road: How ancient India transformed the world (Bloomsbury, reviewed in ABR, 10/24) explores the ways in which India shaped the ancient (and by extension modern) world. This expansive work is brilliantly readable. I enjoyed it so much that I downloaded the recorded version, which Dalrymple himself narrates. This I have listened to twice. Dalrymple challenges the Western-centric view of history and highlights India’s under-appreciated impact on Asian and Western cultural and economic developments. My second selection is almost a diametrical opposite: a slim book written in incredible haste. Gideon Haigh’s My Brother Jaz (MUP) is an exploration of grief, guilt, remorse, and survival. In January 2024, Haigh impulsively and, one imagines, frenetically began writing about the night his seventeen-year-old brother Jasper was killed. He finished seventy-two hours later. My Brother Jaz is unflinching, painful, and anguished. It is also a remarkable exploration of what it means to go on, to live, to reconcile and remember. ... (read more)

Thirty years before the Australian career criminal Gregory David Roberts travelled to Bombay and sought to make for himself, in the words of critic Peter Pierce, ‘a good Asian life’, another socially alienated Australian pursued such a life, in Indonesia, one which in its own way was as remarkable as that novelised by Roberts in Shantaram (2003).

... (read more)

This week on the ABR Podcast we tell the story behind Indonesia’s twentieth-century literary masterpiece, the Buru Quartet, a set of novels that began life in a jail cell. The Buru novels were written by Indonesian author Pramoedya Ananta Toer, widely considered a potential winner of the Nobel Prize. Nathan Hollier, publisher at Australian National University Press, explains why the Buru novels hold special significance for Australia, even though, as he writes ‘few Australians have heard of them’. Listen to Nathan Hollier’s ‘”At least I’ve told these stories to you”: Pramoedya Ananta Toer and the Buru Quartet’, published in the March issue of ABR.

... (read more)

What was the best decision Brian Johns ever made?

In 2005, Johns – legendary leader of Penguin Books Australia, publisher of Elizabeth Jolley, Thea Astley, Frank Moorhouse, and so many others, and later managing director of the ABC and SBS – nominated his publication of the Buru Quartet, by Indonesian author Pramoedya Ananta Toer. Johns was speaking at an event for Pramoedya’s Indonesian editor and publisher Joesoef Isak, who was receiving the inaugural PEN Keneally Award for publishing. This may have been a case of politeness on Johns’s part, but there are reasons to think this was likely a more considered assessment.

... (read more)

In Technofeudalism: What killed capitalism, Yanis Varoufakis wrestles with questions which are giddying in their significance. Do the profound changes we see taking place around us now, in our digital age, amount to a fundamentally new form of society? If so, what kind of society is it? And what, if anything, should we do about it?

... (read more)

In November, Melbourne University Publishing will release the two-hundredth title in the second numbered series of its Miegunyah Press imprint. This is Doing Feminism: Women’s art and feminist criticism in Australia, compiled and edited by Anne Marsh, art historian and Professorial Research Fellow at the Victorian College of the Arts.

... (read more)

Dear Chancellor French, I write this open letter to you to make certain points about the environment of university press publishing, in support of UWA Press and its Director, Professor Terri-ann White, and her team.

... (read more)

Like many of us, I think of the book as the great vehicle for the sophisticated expression of our humanity. The world needs the book more than ever...

... (read more)

To complement our ‘Books of the Year’ feature, which appeared in the December 2018 issue, we invited some senior publishers to nominate their favourite books of 2018 – all published by other companies.

... (read more)
Page 1 of 3