NewSouth

Bomber Command operations cost about 3,500 Australian lives in World War II. This was more than five times the number of Australians who died in the Battle of Kokoda from July to November 1942. Yet the strategic bombing offensive over Germany has never held a comparable place in the national memory of war. 

When the Whitlam government was elected in 1972, women across Australia responded with elation. The Women’s Liberation Movement had helped bring Labor to power and was in turn galvanised by the programs, reforms, and appointments that began to be put in place. In Women and Whitlam: Revisiting the revolution, Michelle Arrow has assembled a splendid range of memoirs, reminiscences, and short essays that document twenty-five women’s perspectives on this much mythologised era. The collection will be of great interest to those who lived through these momentous times and to readers of Australian social and political history more generally. It will also serve as a useful teaching text.

'Bliss it was in that dawn to be alive, / But to be young was very heaven.’ William Wordsworth was writing about the French Revolution, but the sentiment could have applied to the three McDonagh sisters in 1920s Sydney. Isabel (born in 1899), Phyllis (1900), and Paulette (1901) were the beneficiaries of two intertwined revolutions – modernism and feminism – that encouraged them to develop skills outside the domestic sphere and to become experts in their field. Daringly, they chose filmmaking, the great obsession of the period; and they were very good at it.

I recently learned (was it from Martin Amis?) that ‘pulchritude’ is a synonym for ‘beauty’. How can such an ugly word be associated with beauty? I feel the same way about ‘Sydney’, named by Governor Phillip for the British Secretary of State who had suggested an Australian colony. An ugly word that is the name of a beautiful topography, a geologically complex and weathered arrangement of water and land, and more water and land, and a spread of fragmented populations that are in many cases discrete, so discrete that where a person lives and works in this city, defines and confines them. Infrastructure and transport must cope as best they can, and with as much money as government can muster.

What happens when you mix some of the biggest scientific breakthroughs of the twentieth century with the urgency of war? Wizards of Oz, a new book by lawyer and former politician Brett Mason, seeks to provide the answer. It is an account of a friendship between two Adelaide men and their extraordinary scientific achievements during World War II. 

There was a moment there, in the opening chapter of How to Rule Your Own Country: The weird and wonderful world of micronations, when I thought I was about to undertake an improving academic tour. The authors, Harry Hobbs and George Williams, are after all both legal academics. That first chapter has sections with earnest headings such as ‘What is a micronation?’ and ‘Why do people set up micronations?’. There are seemingly well-chosen quotations from experts, and a careful weighing up of definitions and opinions. 

One of the by-products of every election is the instant analysis, often in the form of small books that read like extended newspaper articles. The success of the teals at the 2022 federal election has already produced extensive speculation about whether this signals a sea change in Australian politics.

The Australian Museum is starting to develop something of a literary landscape of its own. This is not so much through official publications such as Ronald Strahan’s Rare and Curious Specimens (1979) or the flagship magazine in its various incarnations from Australian Natural History to Explore. Rather, it is through more creative or expansive stories of the weird, wonderful, and personable, from Tim Flannery’s amusingly fictionalised historical recounting of The Mystery of the Venus Island Fetish (2014) to James Bradley’s disturbing future fiction The Deep Field (1999). Museum spaces – front and back of house – have an intriguing capacity to inspire and document their own strange and evolving histories.

Within the Australian natural history genre, this book stands out: a quirky mix of autobiography, insights into the behaviour and adaptability of familiar Australian birds, and a fine example of the role of science-based enquiry to help solve human–wildlife problems. Darryl Jones, the author, is one of Australia’s most engaging and high-profile ornithologists. Although the tone of this book is decidedly non-academic, it is packed with information and insights.

'If we take it for granted that John Macarthur was a bad man,’ writes Alan Atkinson, ‘then all the surviving evidence takes on a colouring to match. If we think that, then every word he wrote is suspect. On the other hand, leave the question of character open and the evidence takes on a new richness altogether – a deeper and more complex humanity. That is what I aim to do in this book.’