Competitions and programs (72)
Worth $12,500 – Opens 20 January 2020
The ABR Elizabeth Jolley Short Story Prize, worth a total of $12,500, opens 20 January 2020. Entry is open to anyone in the world who is writing in English. Entries must be a single story of 2,000 to 5,000 words in length.
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Please read the Frequently Asked Questions page before contacting us with queries about the Jolley Prize.
ABR gratefully acknowledges Mr Ian Dickson's generous support for the Jolley Prize.
In a first for Australian Book Review, we are delighted to be partnering with luxury travel company Abercrombie & Kent to offer one lucky ABR subscriber the chance to win a ten-day adventure for two in India worth up to AU$8,250. The prize is Abercrombie & Kent’s 'Essential India’ tour, a seven-day private journey from Delhi to Agra to Jaipur, staying in luxury Taj hotels throughout, plus the winner’s choice of a three-day extension to either Ranthambore, Udaipur, or Varanasi.
To be in the running to win this magnificent prize, subscribers need to tell us – in fifty to one hundred words – about a book that has inspired them to travel, or to dream of travelling.
Entry is open now until 20 February 2020, so start browsing your mental bookshelves and don’t be afraid to think creatively, laterally, or locally. We’re looking forward to finding out which books have been your travel inspiration. The winner will be notified in March 2020 and will be announced in the April 2020 issue of ABR.
This promotion is open to current ABR subscribers (print or digital). If you are not an ABR subscriber, or if your subscription has lapsed, please subscribe or renew your subscription before entering the Prize.
Terms and Conditions apply and can be found here. By entering this promotion you agree that you have read the Terms and Conditions and will abide by them.
J.M. Coetzee was born in South Africa and educated in South Africa and the United States. He has published nineteen works of fiction, as well as criticism and translations. Among awards he has won are the Booker Prize (twice) and, in 2003, the Nobel Prize for Literature. He is currently Professorial Research Fellow at the University of Adelaide.
Lisa Gorton, who lives in Melbourne, is a poet, novelist, and critic, and a former Poetry Editor of ABR. She studied at the Universities of Melbourne and Oxford. A Rhodes Scholar, she completed a Masters in Renaissance Literature and a Doctorate on John Donne at Oxford University. Her review essays and poetry have appeared in ABR since 2002. Her first poetry collection, Press Release (2007), won the Victorian Premier’s Prize for Poetry. She has also been awarded the Vincent Buckley Poetry Prize and the Philip Hodgins Memorial Medal. Lisa’s novel The Life of Houses (2015) shared the 2016 Prime Minister’s Award for fiction and received the NSW Premier’s People’s Choice Award. Her third poetry collection Empirical appeared with Giramondo in 2019.
Peter Rose has been Editor of Australian Book Review since 2001. Previously he was a publisher at Oxford University Press. His reviews and essays have appeared mostly in ABR. He has published six books of poetry, two novels, and a family memoir, Rose Boys (Text Publishing), which won the 2003 National Biography Award. He edited the 2007 and 2008 editions of The Best Australian Poems (Black Inc.). His most recent publication is a volume of poems, The Subject of Feeling (UWA Publishing, 2015).
2019 Jolley Prize Winner: Sonja Dechian
ABR is delighted to announce that Sonja Dechian is the overall winner of the 2019 ABR Elizabeth Jolley Short Story Prize for her story ‘The Point-Blank Murder’. Sonja Dechian receives $5,000. Raaza Jamshed was placed second for her story 'Miracle Windows', and Morgan Nunan was placed third for his story 'Rubble Boy'. We would like to congratulate all three shortlisted entrants and thank all those who entered their stories in the Jolley Prize.
The ABR Elizabeth Jolley Short Story Prize is one of the country’s most prestigious awards for short fiction. This year the Jolley Prize attracted almost 1,400 entries from 35 different countries. The judges were Maxine Beneba Clarke, John Kinsella, and Beejay Silcox. The three shortlisted stories appear in our September Fiction 2018 issue.
About Sonja Dechian
Sonja Dechian is the author of the short story collection An Astronaut’s Life, which won the 2016 UTS Glenda Adams Award for New Writing and was shortlisted for the Steele Rudd Award the same year. Her writing has previously appeared in The Best Australian Stories, New Australian Stories 2, and elsewhere. She has co-edited two books of children’s writing about the Australian refugee experience, No Place Like Home and Dark Dreams.
What is Australian Book Review?
Australian Book Review (ABR) is one of Australia’s leading cultural magazines. Created in 1961, it lapsed in 1974 and was revived in 1978. ABR is a fully independent non-profit organisation. Its primary aims are several: to foster high critical standards; to provide an outlet for fine new writing; and to contribute to the preservation of literary values and a full appreciation of Australia’s literary heritage.
ABR publishes reviews, essays, commentaries, interviews, and new creative writing. It is available in print and online. ABR’s diverse programs include three prestigious international prizes, writers’ fellowships, themed issues, national events, cultural tours, and paid editorial internships.
What is the ABR Fellowship program?
ABR Fellowships are intended to reward outstanding Australian writers, to enhance ABR through the publication of long-form journalism, and to advance the magazine’s commitment to ideas and critical debate. The Fellows work closely with ABR staff, especially the Editor, Peter Rose.
Who can apply for the 2019 ABR Indigenous Fellowship?
The Fellowship is open to emerging and established Aboriginal and Torres Strait Islander writers: journalists, commentators, scholars, activists, and creative writers. ABR staff and Board members are ineligible.
Are the Fellowships themed?
Some are, some aren’t. This Fellowship – restricted to Aboriginal or Torres Strait Islander writers – is intended to advance ABR’s Indigenous content.
Is this a purely academic Fellowship?
Not at all. We welcome applications from a broad range of Aboriginal and Torres Strait Islander writers: journalists, commentators, scholars, activists, creative writers, etc. ABR is not an academic journal. We seek engaging, creative non-fiction journalism of the kind you will find in The New Yorker or the London Review of Books. Links to essays by past Fellows can be found here.
Are you looking for finished articles from applicants?
No. In your application, we seek only cogent proposals for non-fiction articles which will be developed over the course of the Fellowship, in collaboration with the Editor. Unlike the Calibre Essay Prize, the submission for the Fellowship program is not for finished works.
How much are the Fellowships worth?
The Fellow will receive a total of $10,000, payable thus: $4,000 on announcement of the Fellowship; and two further payments of $3,000 on publication of the final two contributions to the magazine.
I don’t know anything about ABR. May I still apply?
Applicants must demonstrate familiarity with the magazine. Applicants who do not refer to the magazine in their applications, or who don’t demonstrate awareness of ABR’s needs and directions, are unlikely to be successful.
Is it possible to write the article with a friend or colleague?
No. Single-author works only.
How do I apply?
Please note applications have now closed for the ABR Indigenous Fellowship
Applicants must read the guidelines of the Fellowship for which they are interested in applying and send us a succinct but comprehensive proposal (three pages maximum), plus a CV of no more than three pages and two short writing samples. The proposal should cover the following: the likely nature/scope/genre of at least two of the three proposed articles; why they want to work with the magazine; and why they believe their contributions will enhance ABR and its readership. Applicants should also nominate two professional/literary referees.
There is no application fee.
Note that we are looking for proposals – not finished articles or chapters.
How are Fellows selected?
The ABR Indigenous Fellowship will be awarded by Australian Book Review on the advice of a panel including Noongar author Kim Scott; Director of the Monash Indigenous Studies Centre, Professor Lynette Russell; and ABR Editor, Peter Rose. Shortlisted applicants will attend an interview in person or via Skype. No correspondence will be entered into once the decision has been announced. ABR reserves the right not to award the Fellowship.
Are the ABR Fellows expected to complete their projects at the ABR office in Melbourne?
No. Most of the editorial contact is via email or the telephone. Some meetings may be desirable during the course of the Fellowship. These are important collaborative partnerships between the magazine and the Fellow.
What kind of editorial support do Fellows enjoy?
ABR Fellows enjoy a special status at the magazine – as our senior contributors. The Fellow will work with the Editor closely throughout the Fellowship. We edit promptly, closely, and respectfully. ABR is committed to presenting the Fellow’s work with the utmost finesse. The Editor is always available to discuss the project, to respond to ideas, and to read drafts. Peter Rose edits the articles in consultation with the Fellows, and each article is then proofread by at least three editors.
Where are the Fellowship articles published?
In the print and digital editions of ABR.
Would ABR Fellows be required to take part in the promotion of the published article?
Yes, but this may be able to be done remotely.
If articles are syndicated in newspapers (with the Fellow’s permission), the Fellow and ABR will each receive 50%.
Australian Book Review is delighted to announce the ABR Indigenous Fellowship, worth a total of $10,000. This Fellowship – generously funded by the ABR Patrons – aims to help develop and promote vibrant new non-fiction journalism by an emerging or established Aboriginal or Torres Strait Islander writer. The selected Fellow will be provided $10,000 to assist the Fellow develop three non-fiction articles to be published in print and online with ABR over the course of twelve months.
Please note applications have now closed for the ABR Indigenous Fellowship
The ABR Indigenous Fellowship will be judged by a panel comprising two-times winner of the Miles Franklin Literary Award, Noongar author Kim Scott; Director of the Monash Indigenous Studies Centre and Guest Editor of the August Indigenous issue, Professor Lynette Russell; and ABR Editor, Peter Rose.
‘This Indigenous-themed issue of ABR marks the start of an annual tradition. It represents a deepening of the relationship between Monash University, in particular, the Monash Indigenous Studies Centre and ABR. The creation of the ABR Indigenous Fellowship is a welcome extension of this focus.’
Professor Lynette Russell
For more information about the ABR Indigenous Fellowship, please read our Application Guidelines below and our Frequently Asked Questions.
What is the Australian Book Review Indigenous Fellowship?
The ABR Indigenous Fellowship is intended to help an emerging or established Aboriginal or Torres Strait Islander writer develop three high-quality non-fiction articles for ABR over the course of twelve months.
Who can apply?
The Fellowship is open only to emerging and established Aboriginal or Torres Strait Islander writers: journalists, commentators, scholars, activists, and creative writers. ABR staff and Board members are ineligible. Please note applications have now closed for the ABR Indigenous Fellowship
What is ABR offering?
The Fellow will receive a total of $10,000, payable thus – $4,000 on announcement of the Fellowship and two further payments of $3,000 on publication of the final two contributions to the magazine. The Fellow will work closely with the Editor of ABR throughout the year.
ABR is seeking a suite of brilliant non-fiction writing from an Aboriginal or Torres Strait Islander writer. The Fellow will produce three substantial non-fiction articles, in English, for publication in ABR. These can be review essays, commentaries, or interviews – or a combination of all three genres. Each contribution will about 3,000 words or longer. The features (agreed on with the ABR Editor) will be staggered over twelve months. The articles will appear in the print and online editions of ABR. The Fellow will be available for media coverage and at least one literary/promotional event. The Fellow is not expected to complete the Fellowship at the ABR office in Melbourne.
Is the Fellowship only open to Aboriginal or Torres Strait Islander writers?
Yes. Only Aboriginal or Torres Strait Islander writers can apply.
Familiarity with Australian Book Review
Applicants must demonstrate considerable familiarity with ABR – its style, its content, its direction. Visit our website for information about subscribing and/or about the magazine’s content and history.
The Fellow will be chosen by a panel comprising two-times winner of the Miles Franklin Literary Award, Noongar author Kim Scott; Director of the Monash Indigenous Studies Centre, Professor Lynette Russell; and ABR Editor, Peter Rose.
The panel will interview the shortlisted candidates in person or via Skype. We will name the Fellow in November. No correspondence will be entered into once the decision has been announced. ABR reserves the right not to award the Fellowship.
How to apply?
Applications have now closed for the ABR Indigenous Fellowship
ABR gratefully acknowledges the generous support of the ABR Patrons.
The ABR Fellowships are intended to reward fine writers and to advance the magazine's commitment to critical debate and long-form journalism.
Please read our list of Frequently Asked Questions before contacting us with a question about the ABR Fellowship program.
Tickets: 3 x doubles passes available, one each for Melbourne, Canberra, and Brisbane.
Following the success of his best-selling book Calypso, critically acclaimed author and humourist David Sedaris will visit Brisbane, Sydney, Melbourne, Adelaide and Canberra in January for a series of evenings filled with storytelling, observations, unpublished tales, audience Q&As and book signings. Calypso, which sees Sedaris at his darkly hilarious best, is a The New York Times best seller and a The Washington Post Best Book of the Year. A savant of razor-sharp and sardonic wit, don’t miss your opportunity to spend an evening with one of the world’s pre-eminent humour writers.
Brisbane – 7.30pm, January 13 – QPAC
Melbourne – 7.30pm, January 16 – Hamer Hall
Canberra – 7.30pm, January 19 – Canberra Theatre Centre
Thanks to Arts Centre Melbourne
Tickets: 5 x double passes available. In cinemas December 26.
After the global success of the Cannes Palme d’Or-winning Shoplifters, master auteur Kore-eda’s Hirokazu wry and charming new dramedy The Truth pairs French screen icons Catherine Deneuve and Juliette Binoche for the first time, as a celebrated actress and her estranged daughter, who reunite in Paris upon the release of the former’s memoirs. When the star’s long-suffering assistant unexpectedly quits, the two are forced into an awkward working relationship, where suppressed emotions can no longer be kept in check.
Thanks to Palace Films
Tickets: 2 x double passes available for the Saturday 7 December 7 pm performance.
Since its triumphant premiere in Dublin in 1742, Messiah has remained Handel’s most frequently performed work and is the perfect way to celebrate the festive season. In 2019 the Melbourne Symphony Orchestra presents a new orchestration of the beloved work, this time by Sir Andrew Davis. Nominated at the 2018 Grammy Awards, Sir Andrew’s take on this Christmas tradition stems from a lifetime of hard work and dedication.
Thanks to Melbourne Symphony Orchestra
John Hawke is a Senior Lecturer, specialising in poetry, at Monash University. His books include Australian Literature and the Symbolist Movement, Poetry and the Trace (co-edited with Ann Vickery), and the volume of poetry Aurelia, which received the 2015 Anne Elder award. He is ABR's Poetry Editor.
Bronwyn Lea was born in Tasmania and grew up in Queensland and Papua New Guinea. She is the author of Flight Animals (UQP, 2001), winner of the Wesley Michel Wright Prize and the FAW Anne Elder Award, and The Other Way Out (Giramondo, 2008), which won the WA Premier’s Book Award for Poetry and the SA Premier’s John Bray Poetry Prize.
Philip Mead has worked at the University of Melbourne, as Lockie Fellow in Creative Writing and Australian Literature, at the University of Tasmania, and at the University of Western Australia as the inaugural Chair of Australian Literature and Director of the Westerly Centre. He has co-edited The Penguin Book of Modern Australian Poetry (with John Tranter) (2004) and is the author of Networked Language: Culture and History in Australian Poetry (2010) and of the Vagabond Press poetry collection, Zanzibar Light (2019).
The Peter Porter Poetry Prize is now closed.
Entries are now closed for the 2020 Peter Porter Poetry Prize. We look forward to publishing the five shortlisted poems in our January-February 2020 issue. The Porter Prize is worth a total of AU$9,000. The winners will be announced at a ceremony on 16 January 2020 at Boyd Community Hubb Assembly Hall in Melbourne at 6 pm.
The Porter Prize is one of Australia’s most lucrative and respected awards for poetry. It honours the life and work of the great Australian poet Peter Porter (1929–2010), an honoured contributor to ABR for many years. All poets writing in English are eligible to enter.
First Prize: AU$7,000
Four other shortlisted poets: AU$500 each
Judges: John Hawke, Bronwyn Lea, and Philip Mead
Entries close: midnight, 1 October 2019
Entries must be an original single-authored poem of not more than 70 lines written in English. Poems must not have been previously published. The five shortlisted poems will be published in the January–February 2020 issue and the winner will be announced at a ceremony later that month.
Entries may be offered elsewhere during the judging of the Porter Prize. If an entrant is longlisted and has their poem offered elsewhere, the entrant will have 24 hours to decide if they would like to withdraw their poem on offer elsewhere or from the Porter Prize. Exclusivity is essential for longlisted poems.
Past winners of the Porter Prize
Click here for more information about past winners and to read their poems.
Online entry (current ABR subscriber) - $15
Online entry (full-time student) - $15
Online entry (standard/non subscriber) - $25*
- Non-subscribers will receive digital access to ABR free of charge for four months. Eligible entrants will be contacted when this complimentary subscription has been activated.
Special online entry + subscription bundles
Subsequent entries may be submitted at the subscriber rate
Online entry + digital subscription - $65
Online entry + Print subscription (Australia) - $100
Online entry + Print subscription (NZ and Asia) - $165
Online entry + Print subscription (Rest of World) - $185
We gratefully acknowledge the long-standing support of Morag Fraser AM and Andrew Taylor AM.
Peter McMullin Centre on Statelessness at the University of Melbourne), and Peter Rose, Editor of ABR.Australian Book Review has much pleasure in naming Hessom Razavi as the recipient of the ABR Behrouz Boochani Fellowship. The Fellowship, worth $10,000, honours the artistry, courage, and moral leadership of Behrouz Boochani, the award-winning author of No Friend But the Mountains (2018), who has been imprisoned on Manus Island since 2013. Dr Razavi will make a significant contribution to the magazine in 2020 with a series of three substantial articles on refugees, statelessness, and human rights. The Fellowship is funded by Peter McMullin, a lawyer, philanthropist, and businessman. Hessom Razavi was chosen from a quality international field. The selection panel comprised Nobel Laureate J.M. Coetzee, Michelle Foster (Director of the
About Hessom Razavi
Hessom Razavi is a writer and doctor based in Perth. He was born in Iran in 1976. In 1983 his family fled Iran to escape political persecution. He grew up in Pakistan and the United Kingdom before migrating to Australia when he was thirteen. He completed his studies as an ophthalmologist in 2015 and has visited Manus Island and Nauru in a medical capacity. He also writes poetry and essays, and he is currently working on his first collection. He describes himself as an exile, migrant, professional, and ‘perennial outsider’. His early experience of exile and state violence, and his subsequent qualifications as a writer and clinician, give him an unusual perspective on the plight of the millions of people around the world who are oppressed, anathematised, and endangered.
‘It’s an honour and delight to receive ABR’s inaugural Behrouz Boochani Fellowship. I accept it in the spirit of mutual respect for asylum seekers, refugees, the Australian people, and our regional neighbours. I am grateful to the magazine and to Peter McMullin. I very much look forward to working with ABR and the Peter McMullin Centre on Statelessness in 2020. My goal will be to help shift awareness and raise empathy among those Australians who remain uninformed or ambivalent, particularly moderate conservatives, young people, and those who are open to reason. Ultimately, I work to contribute to the collective moment – medical, legal, artistic, political – that advocates for more humane, sustainable outcomes for vulnerable people who seek protection in Australia.’
‘For decades, Australia has normalised the indefinite imprisonment of refugees. This is a critical time: we need to support writers inside the prison camps and also those people who are recording this history outside the prisons. It is extremely important that we support the writers and researchers recording this history in any way we can. The Fellowship is long overdue but also a great step in helping to document the history and to transform the present situation. What Australian Book Review is doing is valuable for many reasons. The Fellowship promises to be an important contribution to the discourse.’