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Non Fiction

Affairs of the Art by Katrina Strickland

by
May 2013, no. 351

What happens when a famous artist dies, leaving a wife, husband, or children to tend the flame? The question recurs in Ian Hamilton’s spellbinding Keepers of the Flame (1992), an account of a dozen literary estates over a period of three hundred years, and remains suspended in this journalistic assessment by Katrina Strickland of the management of Australian art estates in our own time.

I felt the strength of a widow’s commitment in 1992 when Maisie Drysdale gave me Hamilton’s book. At the time, I was procrastinating about writing a biography of her first husband, Peter Purves Smith. He had been dead more than forty years; Maisie had remarried in the 1960s and was now an old woman twice bereaved; but she had not forgotten. Through her deliberate gift she intimated that I shared the responsibility of shoring up her dead young husband’s reputation, warned me that she had a widow’s passion, and reassured me that she had taken Hamilton’s point (up to a point).

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To estimate the amount of waffle in a cultural policy document, try this patented test: (i) identify a given sentence or section; (ii) highlight the key terms; (iii) swap the key terms around. If it still makes as much sense, it’s waffle. Another way of saying this is that there are always two people responsible for cultural policy. The first is reasonable, knowledgeable, historically aware. The second is a nutbag, droning on about specious targets and unprovable effects. The first writes things like ‘government’s role in supporting culture is most visible in the major cultural organisations it funds’ (Creative Australia, p. 32) and ‘there is a need to nurture the most gifted and talented while providing for those who want to take pleasure from arts and culture’ (CA, 69). The second writes baloney like ‘the benefits of our cultural and creative assets must be maximised. Innovation across all industry sectors is essential to driving productivity growth, maintaining high standards of living and growing competitiveness in the global economy’ (CA, 92). Why can’t we just have the first person? Why does someone who sounds as if he has swallowed a Treasury manual with the words in the wrong order thwart the sense of all government intervention in the cultural sector?

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The last decade has seen a significant growth both in the number of motherhood memoirs and in books about autism and Asperger’s Syndrome. Australia is no exception to this trend, and Jo Case, in Boomer & Me, makes a contribution to both fields. As someone who has written a motherhood memoir about autism, I am a sympathetic reviewer but might also be considered too close to the topic. I have certainly read many memoirs about autism and Asperger’s in the ten years since my own son was diagnosed. I was pleased, then, to find that Case’s memoir offered two interesting points of departure from other Australian motherhood memoirs and Asperger’s stories. It is also well-written and engaging, as expected from Case, who is a literary reviewer and a former deputy editor of ABR.

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Mark Latham rose to the leadership of the Labor Party unexpectedly, lost the 2004 federal election, retired to sulk from the sidelines, and has done so ever since. Whether he or Graham Richardson has done more damage to the party that nurtured them is a question I leave to the blogosphere. Before Latham became leader in 2003, he published considerably more about his vision for Labor than most parliamentarians have done, though none of his publications was as readable as his post-retirement diaries (2005), in which he displayed a lack of judgement and such scant goodwill to his colleagues that it leaves one astounded that they ever elected him leader. (When Latham ran against Kim Beazley for the leadership, two of the wiser members of caucus, Carmen Lawrence and Lindsay Tanner, counselled me against becoming too enthusiastic. They were clearly correct.)

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A human body exposed to summer heat can be reduced to bones in nine days. First the flies and maggots feast on the body’s fluids. As the tissues decay, they feed on the whole body through orifices and wounds. Next the insects and predators gorge on the juicy maggots. Once the body has begun to decompose, in come the beetles that tuck in to the tougher flesh, skin, and ligaments. In Australia the intestines of herbivores are a delicacy for the dung beetle. Then moths and mites feed on fly eggs and hair. Meantime, the bacteria are busy, helping the body to decompose and recycling the nutrients. Is that, I wonder, what happened to our Brahman bull Angel?

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‘We place on paper without hesitation a tissue of flatteries, to which in society we could not give utterance, for our lives, without either blushing or laughing outright,’ wrote Edgar Allan Poe in 1846. His title was ‘The Literati of New York City’; his topic was the discrepancy, as he saw it, between the critics’ private opinions of books and the polite reviews of them that appeared in print. Literary criticism in New York in the middle of the nineteenth century, Poe argued, was essentially corrupt: a matter of back-scratching, currying favour, and chasing after influence, power, and money.

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A friend and colleague from Europe visited in October 2010 for the first time in almost a decade. I had peppered him in the intervening years with emails bemoaning the long drought, the record heat, the lack of rain, the bushfires, the water restrictions, the young and old trees dying, the rivers ceasing to flow and finally drying altogether. I had described the har ...

1953 by Geoff Page

by
March 2013, no. 349

Geoff Page’s 1953 is set in the town of Eurandangee, which, we learn, is about 650 kilometres north-west of Sydney ...

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In Speaking Secrets, academic and journalist Sue Joseph looks at what happens when sex becomes ‘public property’, and interviews a range of Australians who have had often traumatic sex and sexuality-related experiences aired to a wide audience through the media. Some of her interviewees are well known, others are not. Several discuss their experience of sexual abuse, either as a victim or as the relative of a victim. There is an interview with David Cunningham, the Greens candidate who has argued that ‘disabled people need sex lives’. Cunningham (who has cerebral palsy) has stated that people with disabilities should have access to sex workers. There are interviews with the transgender lawyer Rachael Wallbank and the Reverend Dorothy McRae-McMahon, a Uniting Church minister who came out as a lesbian in 1997. In one amusing moment, McRae-McMahon finds herself discussing anal sex during her conversation with Joseph in a Sydney café.Speaking Secrets is situated in the field of literary journalism. Reading Joseph’s evocative prose, the reader almost feels as if he is eavesdropping on the interviews. Still, the author leaves much to the imagination (I will discuss one instance of this). There is not a cliché or a superfluous word in the book.

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Introspection and Consciousness edited by Declan Smithies and Daniel Stoljar

by
March 2013, no. 349

I have beliefs about what you believe. I also have beliefs about what I myself believe. The big difference between the two cases is how I come by these beliefs. By and large, my beliefs about what you believe come from observations of your behaviour (understood in a wide sense, which includes the environment in which your behaviour is located). Here are two illustrations. You sell all your shares and buy gold. I infer that you believe that gold will outperform shares. You write an article saying that the Coalition will win the next election. I infer that you believe that the Coalition will win the next election. However, my beliefs about what I myself believe don’t usually come from observations by me of my own behaviour. My belief that gold will outperform shares may explain why I sell all my shares and buy gold, but it doesn’t reveal to me that I have this belief. Likewise, I don’t need to write an article saying that the Coalition will win the next election in order to discover that I have this belief. There is, to borrow some jargon, a first person–third person asymmetry in how we arrive at beliefs about beliefs.

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