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Non Fiction

I am a ‘Sputnik’, born in the year the Soviet satellite launched the Cold War into space. The launching by the Russians of the first artificial Earth satellite on 4 October 1957 seemed to many in the West a threatening symbol of escalating superpower rivalry. And it did unleash extreme military anxiety and triggered what became known as the Space Race. Twelve years later, in the mid-winter of 1969, I remember waking up just before midnight to watch on television as a Saturn V US rocket, wreathed in smoke and flame, inched its way off the ground at Cape Canaveral. It powered mightily against the pull of gravity and triumphed. It was beginning its journey out of Earth’s atmosphere towards the Moon.

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This clear and cogent book is an important wake-up call. It should not need saying that it is impossible for human populations and economies to grow without limit on a finite planet, but that delusion is widespread. This book is a reminder of the inconvenient truth that should be informing our leaders ...

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Whether you love or hate lawyer–activist Noel Pearson’s ideas, you have to admire his chutzpah, his willingness to put his ideas out there for public discussion and debate, even if his own dogmatism sometimes limits his diplomatic engagements ...

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There is a built-in paradox for the Greens: they need to both persuade people that we face major ecological disasters and at the same time hold out hope that we can respond meaningfully to them. To do this requires the sort of corny and touching optimism that gives Bob Brown’s book its title.

Optimism is neither a conventional memoir nor a political autobiography; it is rather a collection of sketches from the life of a man who will be remembered as one of the pivotal figures of Australian politics in the two decades that straddle the new millennium. The style is largely prosaic, excepting moments of real feeling when Brown describes the Tasmanian wilderness and his relationship to it.

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Many years ago, after working for a while in Europe, we returned to Australia via America. We picked up a car in Atlanta and drove through sprawling cities, alarming slums, and abandoned downtowns. Across Mississippi and the broad, reassuring openness of Texas, to Arizona and the Grand Canyon, we passed through the alien electrics of Las Vegas, down into Death Valley, and up over the Sierra Nevada to the west coast and San Francisco.

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Brooke Hemphill knows hers was not meant to be an ordinary existence, yet by her early twenties she is engaged and planning the perfect wedding – with the wrong guy. She breaks it off and moves in with a married man. He, too, is wrong for her. She works on an island resort and falls for another, but he takes off for Europe. She travels to the United States and works on a cruise ship. Life is a continual bender of booze and drugs, until she falls pregnant and returns to Melbourne.

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As a freshwater ecologist, Alison Pouliot endeavours to understand the interplay of the processes that sculpt the Australian environment.

As an environmental photographer, she aspires to capture the intricacies and obscurities of these processes.

The insidious creeping nature of drought can sometimes lend itself more to images than words.

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Not many substantial private collections of art and decorative arts in Australia have remained intact from the nineteenth century. John Twycross (1819–89) was one of Melbourne’s early art collectors, and his collection has proved to be an exception. Twycross, lured there by the gold rush, made his money as a merchant in Melbourne in the middle of the nineteenth century. He began collecting art during the 1860s and became a major lender to the National Gallery of Victoria’s historic 1869 loan exhibition. He also spent heavily at the Melbourne International Exhibition of 1880 and even made a few purchases from the Melbourne Centennial Exhibition of 1888, the year before he died. He was also a lender to the 1888 exhibition. Some 200 of the works that Twycross purchased at these exhibitions have remained together. In 2009 a descendant donated them to Museum Victoria, which is custodian of the Royal Exhibition Building.

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American Paul Dickson has written many books on aspects of language, including Words from the White House (2013). He also claims to have invented some fifty words, although he admits that only two of these have any real chance of becoming ‘household words’: word word ‘a word that is repeated to distinguish it from a seemingly identical word or name’, as in ‘a book book to distinguish the prior work in question from an e-book’; and demonym ‘a name commonly given to the residents of a place or a people’ (as Briton or Liverpudlian). In his new book, Dickson includes these two words, along with a solid collection of English neologisms from mainly English authors from Chaucer to the present. Such is the prerogative of the author of a book on authorisms.

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Australia’s birds stand out from the global avian pack in many ways – ecologically, behaviourally, because some ancient lineages survive here, and because many species are endemic. The ancestors of more than half of the planet’s ten thousand bird species (the songbirds) evolved right here (eastern Gondwana) before spreading across the world. Indeed, Tim Low claims in this important and illuminating book that Australia’s bird fauna is at least as exceptional as our mammal fauna, which has such remarkable elements as the egg-laying monotremes (platypus, echidna) and our marvellous radiation of marsupials (kangaroos, quolls, bandicoots, possums, etc.). Can this be so? As a mammologist, my initial response was that Low’s claim is a bit rich, but, after reading this book, I take his point.

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