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Art

Australian Art: A visual perspective by Ronald M. Berndt, Catherine H. Berndt, and John E. Stanton

by
November 1982, no. 46
Despite the upsurge in the publication of books about Aboriginal life in recent years and the increased interest in traditional or ‘primitive’ art around the world, very few attempts have been made in this country to either reproduce substantial collections of photographs of Aboriginal art, or to provide serious, but readable. discussions of its relationship to the broader aspects of Australian society. This offering from the Berndts goes some way towards filling the gap between the coffee table glossies and the specialist publications of bodies such as the Australian Institute of Aboriginal Studies. ... (read more)

Gary Catalano’s book, which I admire greatly, is a readjustment. His standpoint, so far as I can tell, is an ideal he has of what might be the suitable creative situation for artists, and he reviews the 1960s with this in mind.

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Conrad Martens in Queensland by J.G. Steele & A few Thoughts and Paintings by Ted Andrew

by
June 1979, no. 11


I don’t quite know what to make of J.G. Steele’s dull, parochial catalogue of sketches and watercolours by Conrad Martens. The ‘frontier travels’ of one of our better colonial artists should, you expect, make interesting copy – especially when the artist in question happened to be prolific and the area of his travels the sparsely settled pastoral area of what is now South-eastern Queensland.

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During the last twenty-five years the National Gallery of Victoria has built up, under the guidance of Professor A.D. Trendall, a notable collection of Greek vases, not only from mainland Greece but also from the Greek colonies of southern Italy. The collection is now presented to the public in this handbook, which is based upon an earlier work by the same author, Greek Vases in the Feltoil Collection (Melbourne, 1968), but includes the many vases acquired in recent years. The text, which takes the form of a brief history of Greek vase-painting written around the National Gallery collection, is clear and easy to read: each vase is described concisely and placed in its historical context. All vases discussed are illustrated in 16 plates placed at the end of the booklet. The quality is, for the most part, good, and photographs of the whole vase as well as details are given, a practice which allows an appreciation of the shape as well as the painting. Those who wish to know more about the individual vases will consult the extensive references in the notes. Those who wish to pursue further the study of Greek vase-painting will find a general bibliography and a short note on other collections in Australia.

... (read more)