Art

Almost twelve years after her death, Bronwyn Oliver (1959–2006) remains one of Australia’s best-known sculptors; her artistic legacy supported by the prolific outputs of an intense and high-profile studio practice across three decades, by public, private, and corporate commissions, and by a string of prizes, awards, and fellowships ...

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The final week of February in Australia means, among other things, that another summer is almost over. Yet in contrast to the fleeting nature of lived experience, a new exhibition at the Art Gallery of Western Australia calls attention to the enduring power of art to capture and convey human passions ...

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Christopher Menz reviews 'Featherston' by Geoff Isaac

Christopher Menz
Wednesday, 27 December 2017

Grant Featherston (1922–95), the most prominent and successful furniture designer working in postwar Australia, is noted for his moulded, upholstered plywood modernist chairs from the 1950s, which combined comfort and style and which resembled work by Charles Eames ...

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In 1976, when Prime Minister Malcolm Fraser and his wife, Tamie, were on an official visit to the White House in Washington, she was shown the collection of Americana acquired through the White House Historical Association, an idea of Jacqueline Kennedy’s as First Lady. Her enthusiasm for a similar Australian fund ...

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'A win for Namatjira' by Colin Golvan

Colin Golvan
Monday, 06 November 2017

Following a concerted media and legal campaign, the Namatjira Legacy Trust has succeeded in securing the ownership of the copyright of Albert Namatjira following a recent resolution of claims made by the Trust against the long-time copyright owner Legend Press ...

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Johanna Leggatt reviews 'Whiteley on Trial' by Gabriella Coslovich

Johanna Leggatt
Thursday, 26 October 2017

It was the late Robert Hughes who said that ‘apart from drugs, art is the biggest unregulated market in the world’. Journalist Gabriella Coslovich quotes him in her account of the 2016 Whiteley art fraud trial, repeating the line to one of the accused, art dealer Peter Stanley Gant, as he complains to Coslovich about the ramping ...

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Charles Green and Anthony Gardner’s Biennials, Triennials, and Documenta: The exhibitions that created contemporary art represents an apposite study of the biennials and triennials – also known as mega-exhibitions – that are proliferating around the world. Apposite since, with the exception of Bruce Altshuler’s two-volume account from 1863 ...

Sujatha Fernandes reviews 'Known and Strange Things' by Teju Cole

Sujatha Fernandes
Friday, 28 October 2016

In the opening piece of his book of collected essays, the novelist and photography critic Teju Cole feels briefly possessed by the spirit of James Baldwin who, like him, travelled outside the ...

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This beautifully illustrated book explores the ways in which Indigenous Australians have responded to invasion through art. ‘Where colonists saw a gulf,’ writes art historian Ian ...

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Like any good storyteller, Christopher Heathcote begins by setting the scene: ‘one of those scruffy unpaved streets on the outer fringe’ of Melbourne on a wintry day in 1956 ...

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