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Fiction

Characters on the verge of a breakthrough populate this impressive début short story collection. An aspiring artist in ‘Making It’ is unsure whether a tilt at greatness is worth the personal sacrifice. In ‘Scar’, a middle-aged geologist feels conflicted by prospective fatherhood and observes, ‘Against that slow patience of stone the need to reproduce had always seemed like vanity.’ Low’s stories cover an ambitious range of locations from Melbourne to Mongolia; his prose is energetic and inspired.

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Australia’s history is chequered at best. For every story of military heroism, there is one of discomfiting prejudice. So it is with Christine Piper’s After Darkness, which explores Australian history from the point of view of a Japanese doctor, Tomakazu Ibaraki, arrested as a national threat while in Broome, and sent to the Loveday internment camps in regional South Australia.

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Peter Docker knits us into a ‘pea-soup fog’ of Western Australian heat, blanketing us, until we feel it ‘seeping right into the bones’. In the familiar-sounding Baalboorlie, the sun beats down,scorching the airless metal cell of a prisoner transportation vehicle. It cooks the Old Man’s flesh as he is escorted across a vast stretch of his desert country. The floor of the mobile oven sears his bare stomach, the branding ‘raised up and angry red and orange, in the shape of the rising sun badge of the ADF’. His grandmother was right, ‘White men will steal you in the night, then cook and eat you’.

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He was a man with a pinboard, and that boosted him a hundred points in her nervy evaluation, the first night she saw his room. On the pinboard were tickets, a laminated backstage pass, a wrapper from a Swiss chocolate, all those things that could wait for drowsy burbling nocturnal stories in the dark, the recounting of Times Before Her recited off like threaded bead ...

Inherit your great-grandmother’s wild red hair and hear the boys sing Griffin’s Gingernuts are so spicy when you walk past the Four Square court. Feel like a freak. Ask your mother if you can cut your hair short when you start high school and hear her say but it’s your best asset. Worry about your assets. Regret not cutting it on the first day of school when your form teacher christens you Orphan Annie and everyone laughs. Eat your vegemite sandwiches alone at one end of a wobbly bench outside the gym and ignore the fat girl wobbling it at the other end. Howl into the headwind as you bike home from school. Hate your mother when you arrive red-eyed, wind-whipped and she sighs. Wish you were Orphan Annie.

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I phoned my father when I arrived.

He said ‘Your mum’s just round at Aunty El’s’ in such a way that I knew she wasn’t; that she’d left the room with her hand to her mouth when he’d first said hullo, love, and I felt so sorry for us all.

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A prestigious prize and national exposure are fine achievements for a writer in her early twenties. Heat and Light is the first major publication by Ellen van Neerven, winner of the 2013 David Unaipon Award. Given her age, it is less surprising that Heat and Light focuses on questions of identity.

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Certain catchwords – ‘quirky’, ‘heartwarming’, ‘uplifting’ – mark the media coverage surrounding the release of Western Australian Brooke Davis’s first novel, Lost & Found. Perhaps foreseeing this, Davis presents her twee characters in a slightly laboured, albeit fashionable, manner: the elderly Karl in colourful braces; the agoraphobic widow Agatha; and Millie Bird, a Disneyesque seven-year-old grieving for her lost parents while camping out in a closed department store. All three protagonists come together for an unlikely adventure across Davis’s palpable, yet homogenous, Australian outback.

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In the spirit of our annual ‘Books of the Year’ feature, in which we ask a range of writers and critics to nominate their favourite new fiction and non-fiction titles, we asked ten Australian short story writers to nominate their favourite short story collections and individual stories. As this is the first time we have run a short-story themed feature of this nature, our ten writers were free to nominate older titles if they wished to do so. Our only request was that at least one of their selections should have been published recently and that at least one be by an Australian author.

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Tigerfish by David Metzenthen

by
September 2014, no. 364

Ryan Lanyon sees something special in Ariel the moment he meets her. He can tell that she is out of place here, in the middle of suburbia, where the too-bright mall lights offer no real security from the dangers outside.

Ryan is an unlikely hero. Surprisingly insightful, he is the first of many characters in Tigerfish that encourage us to look beneath their rough exteriors. Ryan takes Ariel and her sister Kaydie under his wing. To him, they are exotic and fragile creatures who need to be saved. He’s not sure if he will be able to save them, but as far as he can see he is the best one for the job.

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