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Fiction

I’ve always had a terror of one day having to explain a joke. And now it’s happened. Moonlite is one of the jokiest books since Such Is Life which in its turn reminds us of the even jokier Tristram Shandy and behind that no less than Rabelais himself. The best way to talk about Moonlite, then, is perhaps to say that it is bouncing, bewildering, wilful and – very occasionally – boring, just as these books are.

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There nine stories in this volume are rich in people, satire, compassion, and humour. And set like ambushes, unexpected and surprising, are several cameos. It is a captivating, ensnaring book, but to call it a book of short stories would be so inadequate as to be misleading. There is an uncommon coherence, slender but powerful enough to raise it above that easy classification.

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‘What do you reckon this is? Some kind of joke’ This final ironic cadence to Bill Reed’s sixth novel, with its upbeat question asked of death and the literary establishment, is never resolved; that isn’t Reed’s way. In a grand guignol of a novel, ostensibly about the repercussions of publishing an expose of crime bosses in New South Wales (which Reed actually did as the publisher of Australian books for Macmillan), he sets out to linguistically conceal the agony of caring for an elusive humanity he finds alien and macabre.

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For those who wish or need to know what the Great Conciliator has been saying, it’s all here. Neville Wran, in an introduction, claims that the set speech is still important in politics. Perhaps so, but the level of platitude and generalisation in these, as in most, political speeches raises doubts. In speeches ranging from the 1983 policy speech, through speeches on the Franklin Dam Australia’s place in the world, youth employment – he’s for it – immigration and multiculturalism, arms control and disarmament – he’s for them also – to the 1984 National ALP conference, the content is high on self-congratulation, facts and figures, low on argument. The question must be raised – is this lack the fault of the reporting which mediates our politics, concentrating on personalities, on the phrase wrenched out of context and on the policy misrepresented by extremes?

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Her previous work, A Patch of Blue, became a Hollywood film with Sidney Poitier, and another, Child of the Holocaust, was recently serialized by the ABC. Neither was short on social awareness, which makes her latest novel all the more inexplicable. All the characters of The Death of Ruth are stereotypical. The twists and nuances come in the plot, not in the characterization.

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Margaret Balderson’s When Jays Fly to Barbmo (Oxford): There has never been a worthier Book of the Year winner than this, and it was runner up for the Carnegie Medal in Britain too. It is an outstanding novel which, if taken up by the adult market at the time, would have been a best seller-and elevated its author to a position she deserves. This first novel is set in Norway during World War II and concerns a girl’s insistence on discovering the truth about her origins.

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David Burke, former journalist and author of books about railways, has written Darknight (Methuen pb.), a mystery story about a cadet reporter sent to an isolated, closed community to cover a story about some lost bush walkers. Come Midnight Monday (Methuen) is an equally exciting read.

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Crank back on roller, belt left front ...’ So begins the sequence. Stuart’s novel, the fifth in a series of six called The Conjuror’s Years, depicts Colin of Drought Foal and Wedgetail View following the instructions for preparing his Vickers gun to fire against the Vichy French in the 1941 AIF invasion of Syria.

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John McLaren’s contribution to the new series titled ‘Essays in Australian  Literature’ is, as the editorial page proclaims, ‘the first extended study of the two major works by Xavier Herbert - his first novel, Capricornia, and his last, Poor Fellow My Country. ... (read more)

Rites of Passage qualifies for a notice in ABR because, although it is written and published in Britain, it is among other things an account of the adventures of one Edmund Talbot who has taken a passage to Australia sometime during a lull in the wars with France, towards the end of the eighteenth century.

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