It has been fascinating to watch the evolution of Robert Pattinson since the role that brought him to public attention, that of the reluctant vampire Edward Cullen, in the first instalment of the syrupy teen romance franchise Twilight (2008). In a little over a decade, he has transmogrified, via a series of eclectic, often challenging roles, into a major Hollywood talent, able to hold his own with screen veteran Willem Dafoe in Robert Eggers’s psychological horror, The Lighthouse.... (read more)
Australia has not made many war films, let alone films about the conflict in Vietnam. Not counting The Sapphires (2012), the story of the all-female Aboriginal band of the same name, which includes the women touring Vietnam to entertain American troops, our cinematic output about this war is precisely two films ...... (read more)
There is a sense of tension and anticipation around any film remake, especially when the original is well known and received. So is the case with Luca Guadagnino’s version of his countryman, Dario Argento’s cult horror, Suspiria (1977). There has been intense on-line debate about the movie from the moment the ...... (read more)
Afilm sequel is always a risky venture, and thus it is with Goldstone, Ivan Sen's follow-up to his 2013 outback crime drama, Mystery Road. But it is just one risk the writer–director–cinematographer director takes with this film. Goldstone re-introduces us to the indigenous police detective ...... (read more)
Scorsese, currently showing at the Australian Centre for the Moving Image in Melbourne, is not exactly the exhibition that is advertised, and that is a very good thing. Martin Scorsese's career has stretched over half a century and involves nearly sixty films. Yet anyone who has seen advance press ...... (read more)
It has been intriguing to watch the culture war surrounding the James Bond franchise. Slowly mobilising for a while now, the lead-up to the latest instalment, Spectre, the twenty-fourth Bond film, and the second directed by Sam Mendes, has seen it kick up a notch. Is the character a misogynist? Is he too violent? Maybe the next Bond should be black – a de ...
It has been said we get the versions of Shakespeare that mirror our times. If so, it is chilling to speculate what Australian director Justin Kurzel’s take on Macbeth, the story of a loyal warrior who succumbs to the temptation to commit regicide, says about the current state of the world.
Macbeth, Shakespeare’s darkest and bloodiest tale, ...