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Opera

On 24 May 2019, an excited Melbourne audience witnessed a night of spectacular entertainment and magnificent music in the Australian première of Rossini’s 1825 opera Il Viaggio a Reims, exuberantly reimagined by Damiano Michieletto. Il Viaggio is an opera with multiple backstories. It was Rossini’s first commission ...

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Given his towering position in the pantheon of American authors, it is surprising that the bicentenary year of the birth of Herman Melville, born on 1 August 1819 in New York, is passing with such little fanfare. However, this reviewer recently managed to catch performances of opera versions of his two most famous creations ...

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Dr Johnson famously defined opera as ‘an exotic and irrational entertainment’, and so it proved on the opening night of Opera Australia’s autumn season – at least until the curtain went up. Lights down, photography admonition underway, conductor due any moment, we became aware of a strange incident in the gloom, as a solitary figure ...

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Some sixty-two years after its Broadway première, Leonard Bernstein and Jerome Robbins’s musical and geographical updating of Shakespeare’s Romeo and Juliet continues to pack a powerful dramatic punch. While not without its weaknesses, such as the reliance on now-dated street slang and ethnic stereotypes ...

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Alex Ross, at the start of his acclaimed survey of twentieth-century music, The Rest Is Noise: Listening to the twentieth century, describes in vivid detail the luminaries gathered for one of the first performances of Richard Strauss’s Salome in Graz on 16 May 1906, five months after the Dresden première ...

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Mozart’s final opera, The Magic Flute, is a staple of Germany’s opera houses, and continues to be frequently produced in theatres internationally. Melbourne-born Barrie Kosky found himself under pressure to deliver a production of the 1791 Singspiel – comic opera with spoken dialogue ...

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Ned Kelly 

Lost & Found Opera/Perth Festival
by
25 February 2019

The road to hell is paved with good intentions. Sadly, this might serve as a motto both for Ned Kelly himself and for Lost and Found Opera’s recent production of Luke Styles and Peter Goldsworthy’s interesting new opera. Personally, I’ve always found the national obsession with Kelly somewhat cringe-worthy ...

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The corpulent form of Henry VIII understandably dominates our own historical imagining of the turbulent first half of the sixteenth century. From the perspective of continental Europe, however, other figures loom just as large. Indeed, even the English Reformation has the actions of another monarch at its epicentre ...

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It is easy to overlook – this side of The Ring and Tristan und Isolde – quite how radical Wagner’s first distinctly Wagnerian opera, The Flying Dutchman, really was. Written in Paris, where grand opera was utterly dominant, the opera broke with the form, style, and subject matter of grand opera and introduced Wagner’s own concepts ...

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This year is huge for the Opéra National de Paris. It celebrates the 350th anniversary of the founding of Académie Royale de Musique in 1669, the thirtieth anniversary of the inauguration of the Opéra Bastille in 1989, and the 150th anniversary of the death of Hector Berlioz. Les Troyens (The Trojans) opened the ...

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