ABR Arts Film

My Cousin Rachel ★★★★

Brian McFarlane
Friday, 02 June 2017

Does anyone read Daphne du Maurier (1907–89) these days? An immensely popular novelist for some decades, she was much filmed, for screens large and small, most famously by Alfred Hitchcock, who filmed Jamaica Inn and Rebecca in 1939 and 1940 respectively, and ...

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The Sense of an Ending ★★★1/2

Nadia Meneghello
Thursday, 25 May 2017

The Sense of an Ending is an intelligent and thought-provoking adaptation of Julian Barnes’s novel of the same name, which won the 2011 Man Booker Prize. Director Ritesh Batra (The Lunchbox) and screenwriter Nick Payne (Constellations) have created a sensitive film ...

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Neruda ★★★1/2

Gabriel García Ochoa
Monday, 22 May 2017

In 1948, the Nobel Prize-winning poet and Chilean senator, Pablo Neruda, proud member of his country’s Communist Party, accused his government of treason for forging an alliance with the United States. Shortly after, Neruda went underground to escape arrest. For thirteen months ...

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Whiteley ★★★★

Barnaby Smith
Friday, 05 May 2017

In 1980, Brett Whiteley completed his famous portrait of Patrick White, Patrick White at Centennial Park 1979–1980, disagreements over which caused a terminal rupture in the friendship between the two men. Of his intentions for the painting Whiteley said ...

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Things To Come ★★★★

Anwen Crawford
Monday, 24 April 2017

Nathalie Chazeaux (Isabelle Huppert) is a married professor of philosophy, with two adult children, a sunny, book-lined Parisian apartment, and several published works to her name. Success has granted her self-assurance, at least in public. Early in Things to Come (or L’Avenir, to ...

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Berlin Syndrome ★1/2

Anwen Crawford
Wednesday, 19 April 2017

Australian director Cate Shortland has made three feature films about young women who find themselves out of their depths. Her first, Somersault (2004), set in wintry Jindabyne, featured Abbie Cornish in an early and memorable role as a troubled teenage runaway ...

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Denial ★★★★

Andrea Goldsmith
Thursday, 06 April 2017

The opening scene is a stunner. David Irving (Timothy Spall), top of the pile of Holocaust deniers, is giving a lecture. He is framed by darkness, we do not see the audience. ‘I say to you quite tastelessly,’ he says, ‘that more women died on the back seat of Senator Edward Kennedy’s car ...

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Land of Mine ★★★★

James Dunk
Monday, 27 March 2017

Martin Zandvliet’s Land of Mine is unsettling from the very outset. During the credits a recurring sound becomes audible, then consuming: the sound of heavy, ragged breathing. Sergeant Carl Rasmussen, sitting in Danish army fatigues and a maroon beret, he is watching a column of ...

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Satan Jawa (MSO) ★★★★1/2

Dilan Gunawardana
Monday, 27 February 2017

If a single word could sum up the world première of Satan Jawa, it would be ‘bewitching’. Indonesian Director Garin Nugroho’s black-and-white silent film combines mime and dance to relate a Faustian tale of love, sacrifice, and agony, rooted in Javanese mysticism. A twenty-piece ...

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Silence ★★★★1/2

Tim Byrne
Monday, 13 February 2017

Unlike Martin Scorsese’s previous forays into the subject of spiritual faith, The Last Temptation of Christ (1988) and Kundun (1997) – both of which used intense, almost delirious musical compositions to evoke a sense of religious fervour – his new film has no score at all. An adaptation of ...

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