ABR Arts Film

Three Summers ★1/2

Lauren Carroll Harris
Monday, 30 October 2017

Imagine, if you can, an elderly white man, Michael Caton, stretching his arms wide and performing an Indigenous dance as part of a traditional welcome at a summer, country-town folk festival, before delivering a sermon on the virtues of acceptance and multiculturalism to a smiling, nodding, ethnically diverse circle of music lovers ...

... (read more)

Loving Vincent ★★★

Darius Sepehri
Monday, 30 October 2017

Vincent van Gogh called homes ‘human nests’, and in Auvers-sur-Oise it was a nest he was after, to regain his poise through work and rest. Loving Vincent, a Polish–English co-production, spends most of its time in Auvers, where Vincent died an arduous death in 1890, but begins in Arles, where Vincent made friends such ...

... (read more)

Suburbicon ★★★

Harry Windsor
Tuesday, 24 October 2017

Six films into his career as a director, George Clooney is still a little indistinct as a filmmaker, though there are certain subjects – television, politics, the intersection of the two – to which he returns. What’s indistinct is the voice. He has struggled through a tall-tale biopic (Confessions of a Dangerous Mind, 2003), a screwball ...

... (read more)

Tom of Finland ★★★1/2

Dion Kagan
Tuesday, 10 October 2017

Tom of Finland is a worthy enshrinement of the life of Finnish artist Touko Laaksonen (1920–91) into the cinematic pantheon of queer historical biographies. The World War II veteran and advertising art director best known as ‘Tom of Finland’ drew thousands of naked and leather-clad men with gigantic nipples and ...

... (read more)

Blade Runner 2049 ★★★

Harry Windsor
Thursday, 05 October 2017

The new Blade Runner doesn’t surpass the original, contra some breathless early reviews, but what could? Ridley Scott’s 1982 classic is a remarkable feat of design, the perfect vehicle for a director who received his training at the Royal College of Art, and a streamlined thriller with existential heft. It features a haunting score from ...

... (read more)

Song to Song ★★★

Francesca Sasnaitis
Monday, 02 October 2017

Song to Song is writer and director Terrence Malick’s cinematic version of the modernist literary experiment: multiple internalised viewpoints, stream-of-consciousness narrative, chronological fragmentation, and a reality apprehended through symbolic or metaphoric conjunction. He is abetted in this project by ...

... (read more)

Mother! ★★

Harry Windsor
Tuesday, 12 September 2017

Mother!, the new film from Black Swan director Darren Aronofsky, premièred a week ago at the Venice Film Festival. It was met with a smattering of boos, followed by mostly rapturous reviews. Aronofsky’s earlier films – Requiem for a DreamThe WrestlerNoah – were ...

... (read more)

I Am Not Your Negro ★★★★★

Beejay Silcox
Monday, 11 September 2017

Movie tickets cost five dollars at the Lyric Theatre in Blacksburg, Virginia. It’s an old gem – a distinctly American marriage of Art Deco and Spanish Colonial Revival. There are red velvet seats and oak banisters; the walls are lantern-lit, and lined with tapestries from the 1930s ...

... (read more)

Namatjira Project ★★★★

Barnaby Smith
Monday, 04 September 2017

On display in the Queensland Art Gallery in Brisbane is a series of thirteen paintings by Vincent Namatjira, great-grandson of Albert, titled Albert’s Story. Each painting shows an important moment in the life of the seminal painter, who died in 1959. One shows him painting with ...

... (read more)

God's Own Country ★★★★

Anwen Crawford
Friday, 25 August 2017

It’s springtime in Yorkshire, but you’d only know it by the lambs. The earth is stony and the wind is biting. Even the wildflowers struggle to bloom, let alone the romance that forms the central plot of God’s Own Country, an accomplished début feature from British writer–director Francis Lee ...

... (read more)
Page 4 of 13