ABR Arts

The Death of Stalin ★★★1/2

Anwen Crawford
Monday, 26 March 2018

Madnesses pile up in The Death of Stalin, too fast and too numerous to itemise. Victims of tyranny are snatched away in the dead of night, locked in basements, or pushed down staircases at Chaplinesque speed. The terms of engagement change halfway through a conversation: forbidden thoughts are now doctrine ...

... (read more)

If one were tempted to cast round for a theme or a set of motifs that could be discerned from this year’s Adelaide Festival, it might be Rilke’s ‘Who speaks of victory? To endure/survive is all.’ Not as a default position, but as a celebration of those left behind, of those who tell the stories of those who have struggled and ...

... (read more)

Don Quichotte (Opera Australia) ★★★★1/2

Michael Halliwell
Tuesday, 20 March 2018

Desdemona’s plangent, soaring phrase at the end of the ‘Willow Song’ in Verdi’s penultimate opera, Otello, has been described as the last despairing cry of the bel canto. After many years of relentless tragedies, Verdi’s final opera, Falstaff, would be a bubbling and effervescent comedy – only his second in his illustrious career ...

... (read more)

Au revoir là-haut (See You Up There) ★★★★

Gemma Betros
Monday, 19 March 2018

Based on Pierre Lemaitre’s Prix-Goncourt-winning 2013 novel of the same name, 'Au revoir là-haut' (See You Up There) is a French film about World War I that takes aim at a society more interested in commemorating the war’s dead than in looking after its survivors. Albert Maillard (Albert Dupontel, who adapted the novel ...

... (read more)

Murphy (The Australian Ballet) ★★★

Lee Christofis
Monday, 19 March 2018

This year marks the fiftieth anniversary of Graeme Murphy’s career as a dancer and choreographer, which began at The Australian Ballet in 1968. He has often returned to create new ballets on the company – during his thirty-one years as artistic director of Sydney Dance Company from 1976 to 2006, and more recently ...

... (read more)

The Update - March 13, 2018

ABR Arts
Tuesday, 13 March 2018

In this fortnight's Update: James Levine is sacked, A Stella shortlist, Riccardo Muti and the AWO, Angelica Mesiti and Juliana Engberg at the 2019 Venice Biennale, HOTA's concert for the Planet, CHASS Prizes, Giveaways from the Australian World Orchestra and the Art Gallery of New South Wales.

... (read more)

Human Flow ★★★1/2

Barnaby Smith
Tuesday, 13 March 2018

The unspeakably upsetting image of the three-year-old Syrian boy Alan Kurdi lying dead on a Turkish beach inspired a number of visual or artistic responses after it went disturbingly viral in 2015. Among the most high-profile, and certainly among the most provocative, was Ai Weiwei’s. The exiled Chinese artist ...

... (read more)

Antony and Cleopatra (Bell Shakespeare) ★★★

Susan Lever
Tuesday, 13 March 2018

Antony and Cleopatra (first performed circa 1607) is one of Shakespeare’s most poetic plays, full of imagery of exotic Egypt with its crocodiles and serpents, its River Nile and, of course, Enobarbus’s extravagant speech describing Antony’s first sighting of its queen: ‘The barge she sat in, like a burnished throne/ Burned on ...

... (read more)

Kings of War (Adelaide Festival) ★★★★★

Ben Brooker
Tuesday, 13 March 2018

In a Festival glutted with plays about war and the violence wrought by powerful men, Dutch theatre company Toneelgroep’s Kings of War stands tall. A four-and-a-half-hour conflation of Shakespeare’s Henry V, Henry VI, and Richard III, it is directed by Ivo van Hove whose monumental Roman Tragedies – which conceived ...

... (read more)

Edward Elgar’s great work of poetic soul-scouring and symphonic grandeur had a mired reception at its première in Birmingham in 1900, years before Stravinsky’s Rite of Spring sparked its famous riot in Paris in 1913. Both composers had stretched the tolerance of their audiences, requiring open minds and an ear for new tonalities ...

... (read more)
Page 13 of 48