What I’ve come to expect of a new Mike Leigh film is, above all, the unexpected. His first feature, Bleak Moments (1971), of which there were quite a few in that contemporary study of urban, lower-middle class life, made him a potent force in British film. Think of Naked (1993) and Secrets & Lies (1996), unnerving studies of difficult relationships that almost re-defined realism. Then came Topsy-Turvy (1999), Leigh’s glorious version of Gilbert and Sullivan’s tribulations in preparing The Mikado. Yes, Leigh could do ‘period’, and he would go on to surprise further with Happy-Go-Lucky (2008), a rare study of irrepressible cheerfulness, and with another period piece, the biopic Mr Turner (2014).
Brian McFarlane’s latest book is Four from the Forties: Arliss, Crabtree, Knowles and Huntington, Manchester: MUP, 2018. He has had three overlapping careers, as teacher, academic, and writer. He is the author or editor of over twenty books and hundreds of articles and reviews on film and literature and related matters. He co-edited The Oxford Companion to Australian Film and was compiler, editor and chief author of The Encyclopedia of British Film. His most recent books include: Twenty British Films: A guided tour and Double-Act: The remarkable lives and careers of Googie Withers and John McCallum. He is currently serving as Adjunct Professor at Swinburne University of Technology and as Adjunct Associate Professor at Monash University.
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August 2019, no. 413
Postcolonial Heritage and Settler Well-Being: The historical fictions of Roger Mcdonald by Christopher LeeReviewed by Robin Gerster