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Suzanne Falkiner

This was an extraordinary task you set yourself. How did you decide to do it in the first place?

I was actually asked to do it. Lesley Mackay, who has a bookshop in Double Bay that I go to, was doing a bit of publishing and packaging, and it suddenly occurred to her that while there was a Writer’s France and a Writer’s Britain there hadn’t been a Writer’s Australia, so she came to me with the idea. She thought she could package the idea to a publisher and would I write it? I thought, what a wonderful idea and signed the contract, and then realised that what I was going to do was write an entire literary history of Australia, and every chapter could have been a book on its own, and probably should have been.

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Rain in the Distance by Suzanne Falkiner & Tilly’s Fortunes by Helen Asher

by
June 1986, no. 81

These two first novels join the rapidly increasing library of fine and varied fiction being written by Australian women. Pairing them in this review is entirely fortuitous, and it is always possible to construct a comparison between any two books with a little ingenuity. I would want to stress the contrasting ways in which these authors explore very different aspects of female experience. However, at this juncture I am also particularly conscious of the doubtful position a male reviewer takes when he wishes to praise women’s fiction in this way. It is one thing for men imbued with a dash of new consciousness to recognise the positive examination of women’s lives in fiction; it is quite another for them to hold it up to (masculine) judgement. Despite the passage of virtually a generation, I’m uncomfortably aware, as I write this, of some remarks made by Mary Ellmann in Thinking about Women:

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