In an instance of delicious wit, a new South Australian publisher is called Pink Shorts Press. That Pink Shorts Press has chosen a satirical collection as one of its first titles represents an almost perfect alliance. The only potential fly in this unctuous ointment is the question resounding across the world at the moment: how, as an author, does one challenge reality, distort the facts, and subvert the narrative, when currently one person dominates most of the work traditionally ascribed to satirical creatives?