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Andrea Goldsmith

Andrea Goldsmith’s second novel, Modern Interiors, is about a family, and marked out by its goodies and baddies. This is a moral novel about capitalism and the choices open to people within its system. Goldsmith uses outrageous caricatures to represent the baddies – those seduced and corrupted by the family’s damned money. And all of the goodies have an interest in and strenuously pursue the higher knowledges – poetry and fiction, philosophy and philanthropy. They are all good, and fair-minded people, if sometimes with too much sweetness and light.

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On a weekend when the Melbourne Age and the Australian could muster barely three book pages between them and only one review of a work of fiction, I went to an exhibition of Juan Davila’s recent work. The paintings were visceral, fierce, transgressive, shocking. Here was art disdainful of demands for beauty, art that took the notion of aesthetics into the dungeons of the mind. And it set me on edge.

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