Melanie Joosten’s third novel follows three women who are brought into contact during the fight for British women’s suffrage. Beatrice Taylor, captivated by the movement, becomes a full-blown militant. Her college roommate Catherine Dawson stays out of the direct struggle, preferring to advance women’s rights through a trail-blazing career in scientific research. Ida Bennett, a widow, supports herself and her children as a warden in Holloway Prison. Although sympathetic to the cause of women’s emancipation, when the suffragettes are jailed she is responsible for disciplining them.

In the famous opening sequence of the 1946 film A Matter of Life and Death, an RAF pilot, flying his burning Lancaster bomber over the English Channel, talks with a radio operator at a nearby English base. Apparently facing certain death, the pilot quotes Sir Walter Raleigh’s ‘The Passionate Man’s Pilgrimage’, a poem allegedly written just before its author’s execution in 1618. ‘Give me my scallop shell of quiet, / My staff of faith to walk upon,’ the pilot recites, amid the roar of his stricken aircraft.

In the introduction to Troubled Minds, authors Sidney Bloch and Nick Haslam outline the territory they will cover, indicating that they are experts in psychology, psychiatry, and mental illness, with more than eighty years’ experience between them. They are wary of quick fixes (How to… books) and are also wary of professionals publishing in their own fields (potentially biased expertise). Fittingly, they see mental health and mental illness as complex. They have perceived a reader who is looking for a well-written, easy-to-comprehend book that spans conceptual diversity yet concentrates on ‘understanding’ both the ‘emotional and intellectual’ aspects of mental health and illness; one that emphasises contribution from the humanities as well as from science. They hope the book will assist those who first encounter people seeking mental health help (primary practitioners, counsellors, and others). Indeed, Troubled Minds is wonderfully written, highly readable and a tour de force from authors who have seamlessly brought their voices together.

The final poem of this superb collection, ‘The Darkness’, identifies a primal scene. The young protagonist is a nascent poet, watching over the embers of a desert fire in early morning, awaiting the breath of a Pentecostal wind to rekindle the flames. It is a parable which emblematises the difficult task of transformation that is central to poetry itself: the boy contends with ‘fragments / that will not alchemise to song / that yield not / to the metaphrast’.

Two of the defining figures of our age are China’s President Xi Jinping and Russia’s President Vladimir Putin. Both are authoritarian rulers intent on reshaping the global Western-led order. They despise and mistrust the United States equally, and, to justify their hold on power, promote a nationalist and civilisationist vision that elevates the long historical and cultural roots of their societies. They have defined themselves as indispensable for their respective countries’ futures and standing in the world.

In this latest instalment of Black Inc.’s ‘Writers on Writers’ series, we have the intriguing prospect of Tony Birch reflecting on the work of Kim Scott. While most of the previous twelve books in this series have featured a generational gap, Birch and Scott, both born in 1957, are almost exact contemporaries. This is also the first book in the series in which an Indigenous writer is considering the work of another Indigenous writer. It will not be giving too much away to say that Birch’s assessment of Scott’s oeuvre is based in admiration. There is no sting in the tail or smiling twist of the knife.

Let’s face it, quantum mechanics mystifies most of us. But as Quantum Drama shows, it baffled its creators, too – so much so that some of them turned to suicide, drink, or psychiatry (Carl Jung was a favourite). Who wouldn’t go crazy, trying to get their head around such bizarre happenings as subatomic particles sometimes being wave-like, and a theory that cannot tell you the particle’s definite state – its position and velocity, say – before you measure it? In ordinary ‘classical’ physics, by contrast, you can predict in advance every point on the trajectory of an ordinary object, such as a ball or a spacecraft, launched from any given place with any particular velocity. But quantum theory does not play by these long-established rules: until you observe the particle, all the theory can tell you are the chances it will show up at various places. As Einstein asked, ‘Do you really believe the Moon is only there when you look at it?’

When amateur historian Catherine Corless wrote in the Journal of the Old Tuam Society (2012) that the bodies of 796 children who had died in Tuam’s Mother and Baby Home between 1925 and 1961 might have been interred in a disused septic tank within the home’s grounds, she supposed her involvement in the search for truth would be at an end. The article, she expected, would prompt academics, politicians, and law enforcement agencies – not to mention the Bon Secours nuns who ran the home – to begin their own inquiries.

In 2020, with Katie Holmes and Andrea Gaynor, Ruth A. Morgan co-authored ‘Doing Environmental History in Urgent Times’, an article which was published in a dedicated ‘In urgent times’ edition of History Australia. With more than 8,800 views since its publication, which coincided with the first Covid lockdowns, the paper has gone on to become that journal’s most read article in its twenty-year lifetime. In it, the co-authors staunchly called for ‘barbed and incendiary histories that hold wrongdoers to account and keep watch over the present’. History writing is an inherently political act, and they stressed – in italics, no less – ‘there is no justice without history’. Four years on, there remains an ever-accelerating and palpable urgency to the work of history writing. With coruscating prose and assiduous scholarship, Climate Change and International History adds its voice to this chorus.

This book is orthodox in its range (from the foundation of Rome to the Covid pandemic), organised into specific historical periods (Renaissance, Illuminismo, Risorgimento), and traditional in telling history largely through eminent biographies and great historical events.