June-July 2018, no. 402

June-July 2018, no. 402

Welcome to the June-July Film and Television issue! Highlights include:

ONLINE ONLY
 

Full Contents

Commentary

'The drama of it: Television comedy's new aesthetic' by James McNamara

by
Film

Peter Goldsworthy reviews 'Hitler and Film: The Führer’s hidden passion' by Bill Niven

by
Commentary

'Witch-hunt or a great awakening?: Tensions surrounding the #MeToo movement' by Felicity Chaplin

by
Critic of the Month

Critic of the Month with Brenda Niall

Poet of the Month

Poet of the Month with Philip Mead

Poetry

Dennis Haskell reviews 'Hard Horizons' by Geoff Page and 'The Left Hand Mirror' by Ron Pretty

by
Poetry

Judith Bishop reviews 'Zanzibar Light' by Philip Mead

by
Memoir

Susan Sheridan reviews 'Do Oysters Get Bored?: A curious life' by Rozanna Lilley

by
True Crime

Johanna Leggatt reviews 'Waiting for Elijah' by Kate Wild

by
Biology

Lauren Fuge reviews 'The Story of Shit' by Midas Dekkers, translated by Nancy Forest-Flier

by
Psychology

Nick Haslam reviews 'The Lost Boys: Inside Muzafer Sherif’s Robbers Cave experiment' by Gina Perry

by
Philosophy

Benjamin Madden reviews 'Enlightenment Now: The case for reason, science, humanism and progress' by Steven Pinker

by
Memoir

Paul Morgan reviews 'The year everything changed: 2001' by Phillipa McGuinness

by
Film

2018 Australian Book Review Film Survey

by
Film

Varun Ghosh reviews 'Making a Meal of It: Writing about film' by Brian McFarlane

by
Film

Suzy Freeman-Greene review 'Beyond the Silver Screen: A history of women, filmmaking and film culture in Australia 1920–1990' by Mary Tomsic

by
Film

Jake Wilson reviews 'Warner Bros: The Making of an American movie studio' by David Thomson

by
Commentary

'The Brodie set" Muriel Spark’s "The Prime of Miss Jean Brodie"' by Sally Grant

by
Film

Desley Deacon reviews 'Reinventing Hollywood: How 1940s filmmakers changed movie storytelling' by David Bordwell

by
Film

Philippa Hawker reviews '"La Parisienne" in Cinema: Between art and life' by Felicity Chaplin

by
Fiction

Joachim Redner reviews 'Berlin Alexanderplatz' by Alfred Döblin, translated by Michael Hofmann

by
Fiction

Carol Middleton reviews 'The Bridge' by Enza Gandolfo

by
Fiction

Geordie Williamson reviews 'Last Stories' by William Trevor

by
Fiction

Beejay Silcox reviews 'Census' by Jesse Ball

by
Fiction

Fiona Wright reviews 'Bohemia Beach' by Justine Ettler

by
Fiction

Robert Dessaix reviews 'The Friendly Ones' by Philip Hensher

by
Poem

'Interruption: An Assay', a new poem by Jane Hirshfield

by
Cultural Studies

Paul Giles reviews 'Love and Lament: An essay on the arts in Australia in the twentieth century' by Margaret Plant

by
Economics

Richard Walsh reviews 'Fair Share: Competing claims and Australia’s economic future' by Stephen Bell and Michael Keating

by
Economics

Rémy Davison reviews 'The Big Four: The curious past and perilous future of the global accounting monopoly' by Ian D. Gow and Stuart Kells

by
Letters

Letters to the Editor - June–July 2018

by
Advances

Note from the guest editor - James McNamara

by
Advances

News from the Editor's Desk - June–July 2018

by
Commentary

On 'Black Panther' by Dilan Gunawardana

by
Society

Alecia Simmonds reviews 'Rape and Resistance: Understanding the complexities of sexual violation' by Linda Martín Alcoff

by