Some ‘only’ children have revelled in that status. Iris Murdoch called her family unit ‘a perfect trinity of love’. Caroline Baum sees her family less happily as a triangle: ‘There’s something uncomfortable about a triangle: it’s all elbows, suggesting awkward unease.’ We find out in the following 380-odd pages the whats and whys of this discomfort. Some of it is historical; perhaps most is historical. Her father came to England with the Kindertransport. Her French mother had an equally traumatic but more singular childhood. Both were deprived of a normal family life as children.
Gillian Dooley is an Honorary Senior Research Fellow in English at Flinders University, and a Visiting Fellow in the Music Department at Southampton University. Her publications include an edited book of interviews with Iris Murdoch (2003), V.S. Naipaul, Man and Writer (2006), J.M. Coetzee and the Power of Narrative (2010), and journal articles on a range of literary topics including music in the life and work of Jane Austen. In 2005 she co-edited Matthew Flinders’ Private Journal and in 2014 she published an edition of the correspondence between Iris Murdoch and the Australian radical philosopher Brian Medlin. She has been a regular reviewer for ABR since 2002. She is founding editor of the online journals Transnational Literature and Writers in Conversation.
From the New Issue
Judith Anderson: Australian star, first lady of the American stage by Desley DeaconReviewed by John Rickard
Attending to the National Soul: Evangelical Christians in Australian history 1914–2014 by Stuart Piggin and Robert D. LinderReviewed by Hugh Chilton
Flight Lines: Across the globe on a journey with the astonishing ultramarathon birds by Andrew DarbyReviewed by Andrew Fuhrmann