Cassandra Atherton

Cassandra Atherton reviews 'Lucky Ticket' by Joey Bui

Cassandra Atherton
Thursday, 24 October 2019

Lucky Ticket is a brave and haunting début collection of short stories by Vietnamese-Australian writer Joey Bui. In erudite stories of the displaced and dislocated, Bui’s characters are glistering survivors. Many of their voices ring out against the bleak political backdrop of Saigon, making the reader aware of the tyrannical government control and the lack of basic civil and political rights. Bui’s memorable characters are a testament to the deft way she crafts dialogue and to the interviews she undertook with a range of Vietnamese people from refugee backgrounds to better understand the intricacies of their existence.

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Cassandra Atherton reviews 'Killing Commendatore' by Haruki Murakami

Cassandra Atherton
Tuesday, 25 September 2018

There is a running joke in Japan that autumn doesn’t start each year until Haruki Murakami has lost the Nobel Prize for Literature. Most recently, in 2017, he lost to Kazuo Ishiguro, who was born in Japan but is now a British citizen. To date, two Japanese writers have been awarded the prize ...

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Cassandra Atherton reviews 'Rubik' by Elizabeth Tan

Cassandra Atherton
Wednesday, 25 October 2017

Invoking the Rubik’s Cube – a puzzle where twenty-six ‘cubelets’ rotate around a core crosspiece – Rubik is less a novel and more a book of interconnected short stories exploring narcissism, neoliberalism, and consumerism. At the book’s core is Elena Rubik, who dies in the first chapter with a Homestyle Country Pie in ...

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From the cover of Jennifer Maiden's latest book (The Fox Petition, Giramondo, $24 pb, 96 pp, 9781922146946), a wood-cut fox stares the reader down. This foreign, seditious animal is the perfect emblem for Maiden's examination of the xenophobia, conformity, and general moral diminution that she sees around her. Giramondo have given Maiden the liberty of an a ...

Cassandra Atherton reviews 'Freeman's' edited by John Freeman

Cassandra Atherton
Monday, 30 November 2015

Arrival is the first volume in a new series of literary anthologies comprising previously unpublished fiction, non-fiction, and poetry edited by John Freeman, former editor of UK-based Granta. The book begins with a boring and self-indulgent introduction about the choice of theme: Arrival. Freeman explains that after experiencing serious turbulence ...

Books of the Year 2015

Robert Adamson et al.
Monday, 23 November 2015

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

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Cassandra Atherton reviews 'Feet to the Stars' by Susan Midalia

Cassandra Atherton
Tuesday, 27 October 2015

Susan Midalia's Feet to the Stars references Sylvia Plath's poem 'You're', in which Plath addresses her unborn child: 'Clownlike, happiest on your hands, / Feet to the stars, and moon-skulled, / Gilled like a fish ...' This clever title foreshadows Midalia's exploration of children in the family dynamic and the use of intertextuality, which are integral to ...

Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ...

'Plum(b)', a new poem by Cassandra Atherton

Cassandra Atherton
Thursday, 18 December 2014
William Carlos Williams is a genius. And he has my lover’s initials. Or rather my lover has his initials. I often eat the plums that were in the icebox. But I don’t expect to be forgiven. Not everything depends upon that. Or the wheelbarrow of promises that still lies at the bottom of his heart. My lover likes plums. The ones with the tough skins and the scarlet flesh. Not the yellow ... ... (read more)

The authors of the stories in Breaking Beauty are graduates of the University of Adelaide, which Brian Castro (a professor there) reminds us in his introduction is ‘the first and best creative writing college in the country’. However, as an advertisement for creative writing at Adelaide University, this collection has limited success. While the contributo ...

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