This book must win the prize for the most lavish and the most amateurish book on an Australian artist. Not one of the 200 odd colour plates is dated; not even in the portentously titled Opus Index (a list of plates without page numbers!) do we get a single date or indication of present ownership. Where dates are given in the text, they are often vague and careless ‘... in the 1950s...’etc.
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