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HsuMing Teo

I once fell out with an intelligent, well-read woman who refused to believe me when I said I had never read a Mills & Boon book. I should perhaps have admitted that the job I had as a student, proofreading stacks of popular novels for an Adelaide publisher, put me off them for life. Now I am grateful to Hsu-Ming Teo for educating me so thoroughly on romantic fiction by women in English about the Middle East, which, as she shows, has many fans. Her comprehensive research relieves me of any need or desire to join them.

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There, Where the Pepper Grows by Bem Le Hunte & Behind the Moon by Hsu-Ming Teo

by
November 2005, no. 276

There’s a joke that comes up in westerns about the book that saves: a thick volume in the chest pocket that takes a bullet. Bem Le Hunte introduces her second novel about a small band of World War II refugees: ‘This book was written as a prayer for those people who could not live to tell their tales. It was written, too, as a prayer for the future of our world, in the hope that stories like this have the power to save us.’ Certainly, this is a book that teaches hope against the odds, but when you consider how human cruelty has survived even the greatest stories, Le Hunte’s prayer sounds forlorn – unless she was thinking of saving us from boredom, in which case both There, Where the Pepper Grows and Hsu-Ming Teo’s Behind the Moon work most effectively.

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Since the beginning of 2003, nine writers and journalists have been murdered worldwide, adding to International PEN’s list of 400 who have been killed over the last ten years. In the same period, 769 other writers and journalists have been imprisoned, tortured, attacked, threatened, harassed and deported, or have disappeared, gone into hiding or fled in fear of their lives – simply for practising their profession.

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